Sunday, December 6, 2020

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DMCA Review Triggers Opposition Against Site Blocking and Staydown Requirements
Ernesto Van der Sar, 06 Dec 10:27 PM

copyright glass lookingWhen the Digital Millennium Copyright Act (DMCA) was introduced in 1998, file-sharing was a fringe activity, and online streaming a futuristic idea.

The developments over the past two decades have transformed the way people consume media, both legally and illegally.

Calls for DMCA Reform

Despite these drastic changes, the DMCA still dictates how many online services respond to copyright-infringing content. While most service providers are relatively happy with it, copyright holders demand change.

These discussions have been ongoing for a few years now. The US Copyright Office has heard many stakeholders and recently summarized its recommendations in an advisory report, which suggests several 'tweaks' to the current law.

In addition to this effort, U.S. Senator Thom Tillis launched a separate DMCA review process through the Senate Judiciary Subcommittee on Intellectual Property. In several hearings, it heard input from key players including copyright holders, legal experts, service providers, and digital rights groups.

Senator Tillis Questions Stakeholders

As the review process nears its conclusion, Senator Tillis also asked various parties to submit written submissions. These are not posted publicly, as far as we know, but Re:Create published its response and those of several members, including digital rights groups EFF and Public Knowledge.

These submissions provide a clear counterweight to the 'stricter' rules and enhanced enforcement options the major copyright holder groups have called for. This includes website blocking and a proposed notice-and-staydown regime.

The site-blocking push came as a surprise as it's been a no-go topic in the US after the SOPA and PIPA bills were rejected in 2012. Technically speaking, site-blocking injunctions are already possible under the DMCA. However, so-called 'no fault' injunctions, issued against ISPs, are not.

Site Blocking Questions

Senator Tillis questions whether the DMCA should be updated to make these site-blocking injunctions more accessible for copyright holders. And if so, if these should be issued by federal courts or a special tribunal.

EFF answered this question negatively, warning against overblocking, which will ultimately chill free speech.

"Injunctions to restrain the forums and conduits of speech are treated with extreme skepticism in the U.S. free speech tradition," the digitals right group writes, adding that "website blocking is a blunt instrument that inevitably risks over-blocking of lawful and non-infringing speech."

Site blocking will require technological and organizational censorship systems, much like the ones Chinese companies are required to use. The risk is that once these are in place, more and more content will be censored.

"Once created, the use of these systems is unlikely to be confined to copyright enforcement, nor to U.S. court orders. They risk being used to censor all manner of speech that violates foreign laws or offends powerful interests," EFF adds.

SOPA/PIPA

EFF also references the SOPA and PIPA bills, which is a common theme in the answers from all opponents including Public Knowledge.

The non-profit organization points out that technology experts warned that site blocking interferes with the domain name system, which carries security and privacy risks. In addition, civil libertarians cautioned that it can be abused to increase censorship.

"SOPA/PIPA was roundly condemned by people from different political backgrounds for a reason, and accomplishing the same objective of site-blocking through injunctions against third parties is subject to the same critiques," Public Knowledge writes.

These potential threats are not worth the risk, especially because site blocking isn't effective, the group adds. Targeted sites can simply move to new domains as their servers remain online.

"It is ineffective because it is trivially easy for sites dedicated to infringement to simply switch to alternate domains. It's misdirected because ISP- and DNS-level blocking fails to actually take sites offline," Public Knowledge writes.

This sentiment is shared by Re:Create, which stresses that if such a far-reaching measure is ever handed down, it should be done by a jury.

"Website blocking is not only a ​technological nightmare to implement​ (if it can even be implemented), but widely unpopular. Copyright infringement does not rise to the level of relief that should be ordered without a trial by jury under the 7th Amendment protections of the Constitution for copyright infringement," Re:Create notes.

Notice-and-Staydown Questions

The three groups are clearly against the site blocking proposal and they have similar thoughts on the notice-and-staydown proposal as well.

Senator Tillis asked whether it's a good idea to ease the burden on copyright holders by requiring service providers to ensure that infringing content stays offline. This is similar to the EU proposal, which opened the door to automated filtering of uploaded content.

This 'staydown' requirement would end the current takedown whack-a-mole where copyright holders have to ask services over and over again to remove the same files. However, the three groups warn that this is a horrible idea.

One obvious problem, according to Re:Create, is that automated systems don't know whether a person has the right to post something. Similarly, it can't see whether an upload is a fair use.

"Notice-and-staydown by its very nature would presume copyrighted material is automatically infringed, without considering cases where the use of this content is permissible," Re:Create writes.

The group adds that there are already enough problems with the current takedown system, where fair use or legal content is incorrectly taken down. A staydown requirement would only make this problem worse.

"A notice-and-staydown regime would further impair legal uses and reshape copyright policy and law as it has been understood for centuries – chilling expression and creativity. This is because there is no way to design such a system without filtering technology."

Copyright Office Rejected Staydown Proposal

Public Knowledge shares this concern and points out that even the Copyright Office advised against implementing such a scheme in its recent recommendations. Instead, the Office advised Congress to evaluate how this will work in the EU.

"Notice-and-staydown is an idea so far removed from feasibility that even the Copyright Office, after years of study, declined to endorse it," Public Knowledge notes.

"[T]he European Union provides a historically rare opportunity for lawmakers to study, in real time, the effects of such a system on the online ecosystem and its 447 million European users. Attempting to leapfrog this transition before it's even returned initial results would be policy malpractice."

The EFF also opposes a staydown requirement. The group highlights that the current system was carefully drafted to balance the interests of copyright holders on the one hand, while preserving free expression and innovation.

Requiring online services to police their users and filter content will lead to overblocking, it warns.

"Conditioning liability limitations on a service provider's ability to actively police potential infringement would likely lead to over-blocking and/or aggressive filtering of user-generated content. That would make the Internet a much less hospitable place for free speech and innovation," EFF warns.

Disagreement Remains

The full answers from all three groups, as well as several others, are available on Re:Create's website. The group encourages all stakeholders to make their responses public, but thus far we haven't seen any from the major copyright holder groups.

We did spot a copy of the answers from the Artists Rights Alliance which, as expected, supports broad DMCA reform. Ideally, it would like to limit the current safe harbor system and require infringing content to stay offline once it's reported.

"At a minimum, where an artist does identify unlicensed uses of their music on these new platforms, they should not be further burdened with mapping unfamiliar networks and finding every other instance of such unlicensed use," ARA writes.

These responses show that Senator Tillis and his colleagues will have a really hard time coming up with a proposal that will keep both sides happy. But after several years of DMCA reviews, that doesn't really come as a surprise.

From: TF, for the latest news on copyright battles, piracy and more.

Spotify's Anti-Plagiarism Tool To Protect Copyright is Too Black Mirror
Andy Maxwell, 06 Dec 12:43 PM

Pirate BarcodeWhen I started writing music in in my teens, I didn't even think about how to begin. I just did what every other starting writer does – I copied, emulated, plagiarized and otherwise ripped-off everything I'd enjoyed from the music I'd listened to thus far. Badly.

Deprived of divine inspiration, it wouldn't have been possible any other way. Show me a composer who hasn't committed at least one of the above at some point and I'll show you someone who spontaneously learned how to speak as a child without hearing others do so.

It was for these reasons I was horrified when MBW reported this week that Spotify has filed for a patent to scan music uploads so that they can be assessed for potential plagiarism. The theory is that if a track (or part thereof) is deemed to be too similar to a preexisting track, the artist can adjust their creation, thereby avoiding accusations of plagiarism and potential copyright infringement lawsuits in the future.

Without condoning professional musicians who think it's acceptable (it's not) to copy large parts of others' tracks and pass them off as their own, it worries me that a computer program could end up with the power to stop an artist in their tracks and tell them to take another route.

There are dozens of millions of songs on streaming services today and millions more besides. So, go ahead and hum a six-second tune of your own making right now. Guess what – someone, somewhere has done that before. Now hum another original tune without being influenced by any music you've ever heard in the past. You can see where this is going.

Of course, we don't know how or even if this technology will ever be used. It might be deployed moderately but if not, the thought of needing to obtain some kind of permission from an algorithm that could, in the future, have access to a database of every song ever made, sounds a bit like an episode of Black Mirror to me.

Some may be thinking, "You watch too much Black Mirror", and those people would be right. But imagine if this future technology fell into the wrong hands and was aggressively used to scan all of the music made thus far for 'plagiarism'? There wouldn't be enough copyright troll lawyers to go round. Or, imagine it comes pre-installed in your music software, stopping you in your creative tracks whenever it detects a collision.

The thing about music is that it can't develop or evolve without some kind of plagiarism, or 'influence' if you prefer a less loaded word. Proof of that is proudly on display when we search by genre, a particular decade, or music from a geographical region, because these artists copy from each other to perpetuate a style. Indeed, to a certain extent, and when it's not carried out at the expense of others, music lovers enjoy a bit of copying because we know what we like and we want more of it.

But, apparently, the threat of being subjected to a copyright lawsuit in the future is now so severe, artists might need to double-check with a computer that they haven't accidentally 'discovered' someone else's combination of notes, chords, or rhythms, having got there too late. Sad really.

Finally, this piece would not be complete without a reference to what I and many others believe is one of the most important few seconds in recent musical history. I'm talking about the 'Amen Break' from The Winston's 1969 track 'Amen, Brother'. This snippet of music has been plagiarized, ripped-off, stolen, and otherwise utilized in thousands and thousands of tracks for the last 50 years.

There seems little doubt that had the proposed Spotify system or one like it been around the first time this sample was used without permission, the uploader would've been gently advised that this had been done before. Taking that to its logical conclusion, that loop would've been denied the chance to inspire thousands of artists to make music people love.

Recycling is good and plagiarism isn't always bad. Humans are programmed to copy. Let's not get too carried away when nobody is getting hurt.

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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