Saturday, September 26, 2020

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Games Cracker 'EMPRESS' Wants to Crowdfund Denuvo Cracks
Andy Maxwell, 26 Sep 06:32 PM

DenuvoWhen content protection mechanisms began to be deployed at scale on videogames in the 1980s, no one really cared about the ones that were easily bypassed. The reason was simple: they caused no problems for pirates so didn't stir up many emotions.

On the other hand, the systems that were more difficult stoked irritation among pirates. In short, anti-piracy methods that did their job became the most famous and caused the most annoyance. Until they were circumvented, that is, then everyone laughed in their faces. Until the next 'uncrackable' DRM came along.

Jump forward four decades and nothing much has changed, with a notable exception. Easily bypassed anti-piracy systems still get virtually no air-time but those that do the best job – Denuvo, for example – are spoken about constantly. The big shift, however, is the scale of the vitriol and some cases pure malice directed towards largely successful systems like Denuvo.

Pirates in the 80s were glad for what they could get but modern-day pirates have a tendency to demand everything as standard. But will they go as far as paying for people to crack games? We might be about to find out.

C000005 and EMPRESS – The Future of Denuvo Cracks?

Late August the piracy scene was thrown into chaos following what are now considered to be historic raids centered on the SPARKS group. The action forced an almost complete shutdown of The Scene and since then, pirated copies of Denuvo-protected games have mostly run dry.

Previously, Scene groups such as CODEX, CPY and STEAMPUNKS had kept things humming along, with the earlier assistance of P2P players including Voksi and Baldman. Now, however, attention is being focused on an individual and potential savior known as 'EMPRESS' but not without controversy.

Over the past couple of years, cracked Denuvo games have been released under the EMPRESS and C000005 brands, with early suspicion that they were probably one person. Indeed, speaking with TorrentFreak this week, EMPRESS admitted they are one and the same.

However, while Scene groups maintain cover, EMPRESS is now more public than ever, posting to sites like Reddit to converse with fans and those interested in the cracking scene. Interestingly, the proposal now is a little different.

Donations or More Like Crowdfunding?

This week EMPRESS announced that while they are prepared to keep releasing titles with Denuvo protection bypassed/removed, funding is needed to ensure that the operation can continue. In presentation terms, it looks a bit like a crowdfunding campaign, with rewards offered to donors in exchange for new games releases and even public shout-outs in NFO files.

"In order all this to happen, I will need all your support. I will post few coins addresses below and two ways to contact me directly," the announcement reads.

"Each of you who donates and contacts me to confirm his donation can receive by his/her request to be added as a contributor in next release's NFO. Larger contributors will receive the privilege to also add 100 character message of their choice that everyone will be able to see, in the NFO. Could be even self promotion, just no bullshit."

Where Will the Money Go?

This week's call for support didn't include a breakdown of where the money would be going or even why it is needed but EMPRESS informs TF that the money will be spent on buying games, hardware, and personal expenses.

"The funds I receive will be used for living costs, testing hardware and buying the games themselves. People can also contribute by gifting me the said games by contacting me on my mail or my qtox, so more of the funds can go towards hardware for testing," EMPRESS explains.

This allocation of funds is largely in line with information previously released alongside an EMPRESS-cracked version of SoulCalibur VI, which also contained a swipe at a certain anti-piracy outfit described as a "garbage" and "controlling" company that tries to take freedom away from consumers.

But, as we have heard, taking that control away now appears to come with a price tag, something that wasn't attached to previous cracked releases offered by The Scene. That said, the position on the ground has changed dramatically in the past few weeks and if The Scene is going to be slow in releasing games, this may be the only option.

But throwing money into the mix changes the overall equation quite a bit.

Irony and Ideology Go To War

For those who do not support piracy, the cracking of anti-piracy technologies, or are simply pragmatic, there's a generous helping of irony here. The only reason Denuvo exists is because pirates like to obtain games for free. If people always wanted to pay for games, the company itself would cease to exist. Wrapped another way, the best way to kill Denuvo forever is for people to stop pirating games.

Given that's not going to happen, Denuvo is currently doing its job of protecting games in the early parts of their release windows. However, the politics and ideology surrounding Denuvo present a unique situation. While plenty of people just want free games and couldn't care less as long as Denuvo is bypassed or cracked, there is a hardcore of fans who see the company as some kind of boogeyman.

Hatred runs deep alongside beliefs that the system is anti-consumer and only hurts those who are paying for Denuvo-protected titles bought through official channels, largely through reported poor performance on PCs. For EMPRESS, however, other things are at stake too.

"I do what I do not because I want to get rich from doing cracks. I need the money so I purely focus on my preservation mission as true OWNERSHIP of something I loved means everything to me," EMPRESS informs TF.

"You can be rich and buy all the games you want but you can never buy true ownership anymore. Everything is rented licenses that can be taken from you at any given point in time. How can you enjoy something if you know there is even a slight chance of its license expiring 20 years from now? Or do people just like to be slaves?"

Given the alignment of EMPRESS's beliefs with that of anti-Denuvo supporters, it may well be that EMPRESS gets the support they need in the long run. However, we asked EMPRESS whether pirates have shown themselves to be generous thus far and although we received no response, at least partial information is available from public records.

One of the cryptocurrency wallets linked to the funding campaign lists just three transactions amounting to just under $50.00, barely enough to buy a game and certainly not enough to live on. There might be other funds coming in through wallets that aren't so easily viewed but thus far support seems low.

EMPRESS Says That Venture With The Scene Went Nowhere

While Scene etiquette dictates that groups and members shouldn't become involved with P2P-based entities and groups, it's an open secret that the directive is flouted all of the time. In the case of EMPRESS, being more directly involved was apparently on the cards earlier this year, but nothing came of it.

"Not long after my Assassin's Creed release, I was offered to join The Scene with great promises. I only accepted because I didn't get enough support from my p2p work to let me continue to invest all my time into DRM research, even though I perfectly knew I will have to suddenly disappear from the public," the announcement this week revealed.

"I spent huge chunks of time researching Denuvo v5, v6, v7, v8, all of its intermediate variants and I developed all the tools needing to crack them. The problem here is as turned out, the old men in The Scene were only big on talks, but very little on action. Lots of empty promises and little to no care, even though I did 90% of the work in my stay there."

According to EMPRESS, the Scene is "not going to make some miracle comeback" following the raids in August. Indeed, the claim is that the Scene "was already very rotten" before those events took place and that efforts to release a crack for two games fell on deaf ears.

"
… I couldn't do any progress on Denuvo AT ALL. And as a result, I became very tired. And you wait for those people to save you? Especially after the busts, 95% of the scene is in dead silence. My mistake was leaving you and going with them in promises of fake support, so I am sorry for that."

Did EMPRESS / C000005 Already Have Links With The Scene?

Maybe. Possibly. Probably. It really all depends on who one speaks with.

We asked directly whether EMPRESS / C000005 was/is one of the crackers at CODEX, since some previous releases contained aspects that looked markedly similar. To this question, we received no clear response, aside from a note that some details of what happened will be kept confidential. What we got instead was heavy criticism of a system that isn't working as EMPRESS would like.

"The misconception about The Scene never asking for money or support is firstly because they never had any real goal to begin with. They do what they do purely to satisfy their own fake EGO of how 'great' they are and even after 30 years they still live in that illusion," EMPRESS says.

"But in reality, they have almost nothing anymore. Most of their real talents left to work for Denuvo and other companies like it so now all those groups are nothing but former shells of what they once were. It is hollow and rotten.

"I was honest with them of what my goals were and that I am not interested in any shallow competition. I just needed their support of achieving my dream, nothing more, nothing less. The funny thing is they offered me that support in the first place, but it just never simply happened."

Precisely who 'they' are remains unknown. Some people have pointed towards CODEX themselves, alleging that it makes sense because the Scene group had been working with people from the P2P scene on various levels for some time, including by granting access to cracks in exchange for contributions towards their own running costs.

In this shadowy world, almost anything is possible but if we've learned nothing else since the raids in August, it's that the dividing lines between The Scene and the broader file-sharing community are anything but bright, so plenty of crossovers should be expected.

In the meantime, EMPRESS appears set to go it alone, with the financial support of others, of course.

From: TF, for the latest news on copyright battles, piracy and more.

PRS Music Reports Mysterious Stream-Ripping Boom in Dubious Piracy Report
Ernesto Van der Sar, 26 Sep 12:08 PM

cassette tapeEvery year, dozens of piracy studies and surveys appear online. These can help to signal new trends and changes in user behavior.

When done right, research can be a valuable tool to shape future law or to direct enforcement efforts and priorities.

This also appears to be the goal of a recent report published by PRS for Music, which was put together by Incopro. The report looks at the current state of the online piracy landscape and how it has developed over time. The conclusions from this endeavor are somewhat surprising.

1390% Increase in Stream-Ripper Traffic

The headline figure, which was taken over by dozens of mainstream news outlets, is that stream-ripping piracy has grown explosively. Between 2016 and 2019 the use of stream-ripping services in the UK increased by no less than 1390%.

This unprecedented boom is unexpected. At TorrentFreak, we keep a close eye on piracy statistics, but we never saw this coming. Intrigued by this mysterious traffic boom, we decided to take a closer look, starting with the data sample.

The PRS report is based on traffic estimates to a few dozen of the most popular sites. The appendix provides an overview of the sites that were considered for the study. This includes many of the expected names, including The Pirate Bay, Openload, and Flvto.biz. However, there are also a few unusual suspects.

French ISP and Huawei Listed as Top Pirate Sites

For example, the website of the French Internet provider Free.fr is seen as one of the top pirate sites in the UK. This is strange, as the site is in French and not at all dedicated to sharing pirated music. Instead, it's used to sell Internet subscriptions.

Pirate ISP?
free.fr

The official website of the Chinese technology company Huawei is also listed among the top 50 pirate sites. Why remains a mystery, but it's hard to see what the appeal of club.huawei.com is to UK visitors, especially since the site is in Chinese.

These two are not the only odd entries. The list also includes the website of the popular torrent client uTorrent, which doesn't link to or host any infringing content. The same is true for the link shortener sh.st, which simply forwards people to URLs.

At the same time, the top 50 also features a lot of dead pirate sites, which haven't been online for years. This includes some we have never heard of, such as usd.bravo-dog.com, which appeared to be associated with malicious popups in the past.

While it's possible that some of these sites have links to pirated content somewhere, they shouldn't be listed among the top pirate sites. Especially not when considering, for the purpose of the report, all traffic to the sites is said to be copyright-infringing.

Flaws Aside, What's Driving the Reported Traffic Boost?

We could stop here, as the above suggests that there are critical flaws in the dataset. However, we remain intrigued by the reported 1390% boost in the usage of stream-ripping sites in just three years. According to the research, stream-ripping now dwarfs any other form of music piracy, as illustrated below.

UK Music Piracy Traffic (from PRS report)
piracy trend

This boom started somewhere in 2017 but it really took off between January and October 2019. In just nine months, the usage of stream-ripping services in the UK grew by more than 500%.

It's not entirely clear why this happened and the PRS report provides no answers either. Instead, the report simply attributes this effect to one site, y2mate.com, which suddenly became very popular.

"Later in 2019 we can see another surge, this is likely due to the emergence and popularity of the site y2mate.com, which has the highest usage of all sites. All other services remained fairly steady," it reads.

Google Trends and Other Stream Ripper Data

This is an odd conclusion. Stream ripping sites don't just become very popular. It all starts with an increase in demand that drives more people to visit these sites. This report suggests that in 2019, a lot of UK visitors suddenly became interested in stream-ripping, and they all went to the same site.

We tried to find evidence for this "boom" through Google trends. According to the PRS report, roughly 50% of all traffic to these sites comes from search engines. So, one would expect the search volume for 'YouTube to MP3,' a popular term for these sites, to increase as well.

This is not what we see in Google trends. UK searches for 'YouTube to MP3,' which is good for 10% of all traffic to y2mate.com, according to PRS, remained stable in 2019. In fact, the trend since 2016 goes down instead of up.

"YouTube to MP3" UK Search Trend
youtube to mp3 trend

Perhaps people might search for the site's name instead? We considered this as well, but despite the reported explosive growth of y2mate.com traffic in 2019, the search volume for the keyword "y2mate" didn't change.

"Y2mate" UK Search Trend
y2mate trend

Could it be that we're missing something here? In search for a replication of the reported increase, we looked at the traffic numbers piracy tracking firm MUSO.com reports for stream-ripper sites in the UK.

We specifically zoomed-in from January to October of 2019, where PRS reports a ~500% increase in stream-ripper traffic. However, there is no such increase in MUSO's data*. If anything, the trend is going down.

UK Stream Ripper Traffic (MUSO data)

TorrentFreak spoke to MUSO's CTO James Mason who explained to us that their dataset is different from that of Incopro. The latter, which is used for the PRS report, uses a limited number of sites, which can more easily result in biased results.

Biased Data?

"We can see that in January 2018, just 25% of our music stream ripper traffic is on domains included in the Incopro domain list. This rises to 68% by October 2019, indicating that the Incopro stream ripping domain list is biased towards more recently active sites.

"This bias is likely the main reason why their data shows a dramatic increase, whereas our data includes a fuller coverage of stream ripper sites within the earlier reporting period and so we have measured the more complete (higher) traffic in earlier years," Mason adds.

There are other differences in methodologies as well. For example, MUSO only looks at music-related traffic to the domains, while the PRS report doesn't make that distinction.

Based on all data that are reviewed by us, we find it hard to believe that the dramatic increase in stream-ripping usage actually exists.

We have shared our findings with PRS for Music and asked for a comment on our findings. PRS, with relayed several questions to Incopro, did not specifically respond to our question about the legal sites that were flagged as piracy portals. Not did they respond to our question about the spectacular boost in Y2mate traffic.

Like MUSO, PRS and Incopro did point out that there are differences between research methodologies. The PRS report only looks at a relatively small number of pirate sites.

"The key analysis [of this study] is of the Top 50 Music-Only piracy sites and is based on cumulative data collected between October 2016 and October 2019. As such, sites which are active for only a small portion of this time period may not feature in the analysis of high-usage sites. We acknowledge in the report that many sites from the original 2016 landscape are now offline – demonstrating the effectiveness of enforcement approaches over this period, and showing how the landscape from 2016 has evolved," the companies inform us.

"Whilst different analyses may give differing results, it is clear that stream-ripping remains a serious and growing problem for music and we hope that this report can contribute to the debate on how to address it," they add.

Limited Research Shouldn't Used to Create Policy

The problem, however, is that the report is out in public now. This means that it will likely be used as input for future policy decisions. In fact, the report's figures we already cited in a recent publication from the UK Intellectual Property Office, without a mention of any possible caveats.

That said, the goal is not to show that one tracking company or methodology is superior to another. All research comes with flaws, including MUSO's findings. However, it's obvious that these reports should be properly scrutinized, especially when legal sites are flagged as piracy portals, and when there are massive shifts in piracy habits.

* Note: MUSO data includes an algorithm change on August 1, 2019, but that appears to have had a minimal impact on the reported stream-ripping traffic.

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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