Tuesday, September 15, 2020

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TuneIn Blocks 1,000s of Radio Channels in UK But a VPN Restores Service
Andy Maxwell, 15 Sep 08:48 PM

TuneInTuneIn is one of the most prominent providers of radio content in the world.

Available for free or on a premium basis, its site and associated app provide access to more than 100,000 stations and podcasts. Unless you happen to live in the UK, which is now dramatically underserved by the company.

Sued by Labels in the UK For Mass Copyright Infringement

In 2017, Sony Music Entertainment and Warner Music Group sued the US-based radio index in the High Court of England and Wales, alleging that the provision of links to stations unlicensed in the UK represented a breach of copyright.

One of the most interesting aspects of the case is that TuneIn is marketed as an "audio guide service", which means that it indexes stations that are already freely available on the web and curates them so that listeners can more easily find them.

When stations are more easily found, more people listen to them, which means that TuneIn arguably boosts the market overall. Nevertheless, the labels claimed this was illegal and detrimental to the music industry in the UK on licensing grounds.

Decision by the High Court Handed Down in 2019

In November 2019, the High Court sided with the labels, ruling that unlike Google – which TuneIn had attempted to compare itself to – TuneIn did "much more than that", in part due to its curation and search features in respect of those stations.

"I find therefore that the activity of TuneIn does amount to an act of communication of the relevant works; and also that that act of communication is to a 'public', in the sense of being to an indeterminate and fairly large number of persons," Judge Birss wrote in his decision.

When TuneIn supplied UK users with links to radio stations that were not licensed for the UK or were not licensed at all, the Judge said the company infringed the labels' rights. On the other hand, he also determined that when TuneIn supplied UK users with links to radio stations that are already licensed in the UK, the company did not infringe Sony or Warner's copyrights.

TuneIn sought to paint this latter point as a victory but that still meant that it had breached copyright on a large scale as the majority of stations indexed by TuneIn and supplied to the UK market did not fit into this scenario.

Appeal and Subsequent Geo-Blocking of the UK

In December 2019 it was revealed that the High Court had granted permission for both sides to appeal. Pending an outcome in that matter, TuneIn's service in the UK apparently remained unchanged but during the past few days, users of the service reported a major shift in the type and amount of content being provided to UK users.

In response to the apparent decimation of its offering, TuneIn took to Twitter to address the complaints.

"Due to a court ruling in the United Kingdom, we will be restricting international stations to prohibit their availability in the UK, with limited exceptions. We apologize for the inconvenience," the company wrote.

TorrentFreak contacted TuneIn to ask why this action had been taken now and to receive an indication of precisely how many channels had been blocked and their nature. However, at the time of publishing the company had failed to offer a response, leaving customers – some of whom pay for a premium service – to simply guess where their favorite stations had gone and when (or even if) they would ever return.

TuneIn UK Block

With TuneIn staying completely silent on the important details, it's impossible to know whether the company will obtain appropriate licensing to reinstate the lost channels in the future. In the meantime, listeners now have access to a fraction of the channels previously available on the TuneIn site and app.

Geo-Blocking Measures Easily Circumvented

As pointed out by a reader last evening, in common with many services that restrict output in various regions, TuneIn's blocking efforts are not comprehensive and can be easily circumvented by listeners in the UK.

It transpires that with the use of a decent VPN, one that's able to switch the user's virtual location out of the UK and to some other country, the blocked channels/stations are restored to their former glory and accessible in exactly the same way as before. The precise blocking method being used by TuneIn isn't clear but it's nowhere as stringent as that deployed by Netflix, for example.

An aspect of TuneIn's blocking that shouldn't be overlooked is a 'feature' of the service itself. TuneIn is a catalog of streams that are already freely available on the Internet. This means that TuneIn acts only as a middleman, indexing stations and making them searchable. While this function is extremely convenient for users, those locked out by TuneIn may only have to do a little research to regain access to their favorite stations.

A Little Manual Work

Since the company appears to be keeping quiet on the precise details for the moment, it's hard to conclude whether TuneIn went through its entire station list with a fine toothcomb so that only unlicensed channels were blocked, or whether it erred on the side of caution and blocked everything that it couldn't be sure of.

Presuming the latter is the case (licensing can be difficult to determine), it's likely that there will be some element of over-blocking and that some channels that shouldn't have been blocked will now be inaccessible in the UK via TuneIn. This is a particular irritant to listeners of stations that carry no content owned by the labels that brought the lawsuit.

In these cases, interested users can bypass TuneIn altogether by visiting the website associated with the station they were listening to, which tend to have their own embedded audio players. However, if visiting multiple sites is inconvenient, some stations publish a URL that can be opened in software such as VLC or other radio apps such as XiaaLive, which also has its own searchable station catalog.

Some radio station homepages do not clearly publish their stream URLs but by right-clicking the related audio player in Chrome, for example, it's possible to view the page's source code which usually contains the URL of the stream when searching for the term 'http' or 'https'.

Experienced users will spot the correct URL quickly but for the less tech-savvy, trial and error or dedicated tools will help. Once a list of URLs is obtained, these can be saved in a VLC playlist, for example, completely negating the need for the TuneIn software.

Blocking the Messenger Not the Message

While TuneIn may have been largely knee-capped in the UK in terms of international stations, the High Court action has done absolutely nothing to prevent the blocked radio stations from transmitting on the Internet. None of them have anything to do with TuneIn itself as they are operated by third-parties.

What the action has achieved, therefore, is to selectively tear up TuneIn's UK 'phonebook'. What it hasn't done is tear up every phonebook available, nor has it taken down a single station indexed by TuneIn, which remain fully operational via their own websites and URLs. It's a little harder to find them now but hardly a massive undertaking.

Update: Comment received from TuneIn

"TuneIn is the best platform for broadcasters, and we continue to work with both the broadcast community and users to deliver a world-class listening experience. TuneIn is under judicial order to cease communicating to the public in the UK any sound recordings owned or controlled by Sony and Warner.

Over the past several months, we have worked with broadcasters to confirm their licensing status, removing from our platform those radio stations whose licensing status we are unable to verify at this time. However, stations licensed in the UK can still be made available through the TuneIn service to TuneIn's UK users."

From: TF, for the latest news on copyright battles, piracy and more.

EU's Article 17 Consultation Reinvigorates 'Upload Filter' Debate
Ernesto Van der Sar, 15 Sep 12:21 PM

EU CopyrightLast year there were fierce protests against the new EU Copyright Directive which, according to opponents, would result in broad upload filters on the web.

Despite this pushback, the directive passed, and individual EU member states began work to implement the text into local law.

This includes Article 17 (formerly known as Article 13), which requires many online services to license content from copyright holders. If that is not possible, these companies should ensure that infringing content is taken down and not re-uploaded to their services.

After last year's media storm the upload filter news died down. However, behind the scenes, there is still a lot of work being done. In recent months there have been several stakeholder meetings discussing how the EU Directive can be best implemented by individual states.

Article 17 Guidance Consultation

To help things move forward, the European Commission launched a public consultation at the end of July. The Commission is working on an official guidance document for member states to help them implement Article 17 and has asked stakeholders for input.

The proposed guidance still keeps the door wide open for upload filtering but is also mindful of all the caveats that come with it. For example, it mentions that, when automated filters are used, online services should ensure that content isn't removed without a good reason.

Specifically, it suggests that simply restoring inaccurately removed content after the fact isn't good enough. Instead, "legitimate uses should also be considered at the upload of content."

The public consultation officially ended last week. It has attracted dozens of submissions from key stakeholders many of which go into great detail. While it is impossible to summarize them all, it's clear that the upload filter battle is far from over.

Copyright Groups are Very Concerned

Late last week a group of major copyright holder groups including IFPI, the MPA, ACT, and Eurocinema, sent a letter to EU Commissioner Thierry Breton, criticizing the drafted guidance document. They fear that the carefully constructed text of the directive will be watered down.

"We are very concerned that, in its Consultation Paper, the Commission is going against its original objective of providing a high level of protection for rightsholders and creators and to create a level playing field in the online Digital Single Market," the groups write.

"It interprets essential aspects of Article 17 of the Directive in a manner that is incompatible with the wording and the objective of the Article, thus jeopardizing the balance of interests achieved by the EU legislature in Article 17," their letter adds.

'Likely Legitimate' Content Should be Removed Until Further Order

The copyright holder groups identify several specific concerns. One refers to the suggestion that online services should keep content online when it's "likely legitimate."

This goes against the text of the agreed Copyright Directive which is highly problematic and creates legal uncertainty, they note. The copyright holders would prefer everything to be removed immediately and put back when content turns out to be legitimate.

"In particular, the possibility for 'likely legitimate' content to 'stay up' – while the possible application of exceptions and limitation is assessed – is inconsistent with this provision, as interpreted in light of its context and purpose."

Upload Filter Opponents are Deeply Concerned

A few days after the copyright holder groups shared their concerns, Commissioner Breton also received a letter from several civil society and user rights organizations. These have been very critical of Article 17 and still protest automated upload filters.

"We remain deeply concerned that the guidance endorses the use of automated content blocking by online services even though it is clear that this will lead to the violation of fundamental rights," the civil rights groups warn.

The organizations, including EFF, Communia, Creative Commons, and EDRi also note some positive changes. This includes the aforementioned suggestion that legal uses should be considered at the upload stage, which is the issue copyright holders are not happy with.

Human Review is Often Required

However, according to the user rights advocates, the public requires even broader protection. They want all content that's not "manifestly infringing" to be reviewed by human eyes.

"Article 17 requires that all legal uses remain online, not only those that are 'likely legitimate' according to a superficial screening that is unlikely to reflect the complexity of copyright law. At minimum, the standard for the deletion of content should be 'manifestly infringing'.

"In this context, it is essential that uploads that are not manifestly infringing remain available until the human review has been concluded," the groups add.

It is now up to the European Commission to review all the submissions and come up with a final guidance document, which is expected to be published later this year. In addition to all the public commentary, there will likely be various lobbying efforts behind the scenes as well.

A copy of the letter sent by the copyright holder groups is available here (pdf). The letter sent by the civil society and user rights organizations can be found here (pdf).

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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