Saturday, April 10, 2021

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Is Site-Blocking Reducing Piracy or Helping to Disperse it Elsewhere?
Andy Maxwell, 10 Apr 10:51 PM

Page BlockedAs one of the most popular anti-piracy tools, site-blocking attracts plenty of attention.

Originally a mechanism to prevent static torrent and streaming sites from reaching their audiences, site-blocking is now just as likely to encompass relatively nimble live TV and sports streaming platforms too.

Over the past several years, Danish anti-piracy group Rights Alliance has invested considerable resources into blocking all kinds of pirate sites, with interesting results.

Rights Alliance Annual Report Covering 2020

Last year, Rights Alliance revealed that in 2019 its work had resulted in 141 sites being blocked by the majority of ISPs in the country. Citing a MediaVision survey covering the same period, the anti-piracy group concluded that around 450,000 Danes were using illegal sites, between them chalking up around 146 million visits annually.

In its latest annual report made available this week, Rights Alliance (RA) reveals that it had 196 "illegal domains" blocked in 2020, up 55 on the previous year. The focus was on "mirror sites", i.e sites that look identical to their previously blocked counterparts while attempting to circumvent blocking with automated redirection systems and new domain names.

RA says that mirrors have a "volatile nature" in that they have a shorter lifespan, are harder to find, and thus require special handling when it comes to blocking. In part, however, this can be dealt with via court-ordered dynamic blocking injunctions which are currently in place covering a wide range of content including movies, music, TV series, literature and live sports.

Pirate Visits Static But Pirate Users Down?

Overall, RA observed a decrease in 'pirate' site users last year, down from 450,000 in 2019 to around 370,000 users in 2020. Interestingly, however, the overall number of visits to pirate sites in 2020 remained stable at around 12 million visits per month, i.e very little change when compared to the 146 million reported overall in 2019.

RA believes that the decrease in identified users can be in part attributed to blocking but concedes that VPNs and third-party DNS services play a part, as does migration to other platforms where piracy is less easily monitored.

Using Legal Platforms to Consume Pirate Content

"Unfortunately, the decline in the number of users is probably also due to the fact that the users have moved to other platforms where consumption cannot be immediately measured in the data sets of MediaVision and SimilarWeb," RA writes.

"A new challenge that has become clearer in recent years is the increasing decentralization of illegal content to legal services, such as YouTube and Facebook. Here it is not possible to measure illegal consumption and the users are not necessarily aware that they are consuming illegal content, as the service itself is legal."

Rights Alliance and its rightsholder partners are not defenseless in this scenario, since legal 'UGC' platforms are more likely to respond to takedown requests than pirate sites. Additionally, both YouTube and Facebook have their own suites of anti-piracy tools and will be required to respond to important aspects of the new EU Copyright Directive. Rights Alliance says it has this under control.

"In 2020, we have therefore intensified the work with the platforms' responsibility for copyright infringement – i.e through dialogue with the platforms and in the work of implementing Article 17 of the EU Copyright Directive in Danish law," RA notes.

The Rights Alliance Annual Report 2020 can be found here (Danish, pdf)

From: TF, for the latest news on copyright battles, piracy and more.

Nigerian 'Scam Artist' Used Apple, Amazon and Tidal to Cash in on Pirated Music
Ernesto Van der Sar, 10 Apr 01:20 PM

wisekidLegal streaming services such as Spotify and Apple Music have been the music industry's most effective weapon against piracy.

Many people don't even bother ripping or downloading albums of tracks nowadays. The legal alternatives are just more convenient.

Despite this success, legal streaming platforms have their challenges as well. For years, artists have complained about low payouts. And to make things worse, 'pirates' are starting to abuse legal services as well now.

Pirated Music on Legal Streaming Services

A few weeks ago we reported that the RIAA was sending DMCA takedown notices that targeted Spotify, Deezer, Amazon, and various other legal music outlets. Apparently, some artists were using the works of others without permission.

At the time we weren't sure if this was intentional or a mere licensing dispute. The RIAA didn't respond to our questions on the matter. However, this week we spotted yet another takedown notice and, this time, there is more of a backstory.

On Wednesday the RIAA sent a takedown notice to Google identifying several infringing URLs on the legal streaming service Tidal. The links point to tracks that were published by Nigerian artist Wisekid but, according to the takedown request, they are from the local music star Wizkid.

Wisekid Rips Off Wizkid

Looking more closely at the matter, we quickly noticed that Wisekid appeared to have uploaded an entire album from Wizkid, passing it off as his own.

The album in question, titled "Lasgidi Made" is the same as Wizkid's "Made in Lagos," but the track order and titles have been changed, apparently to make the similarity less obvious.

wisekid amazon

This 'pirated' album made its way onto popular music services including Apple Music, Amazon, and Tidal, and reportedly generated substantial revenue for the scam artist.

Millions of Streams

Apparently, Wisekid was quite proud of his accomplishments as he posted a screenshot on Twitter showing off that he had millions of streams and more than a thousand digital sales on Apple's service. This is when things started to go downhill.

wisekid revenue

Several commenters on social media noticed the similarities between Wizkid and Wisekid, accusing the latter of running a scam and ripping off a hard-working musician.

Wisekid, however, claimed to be innocent. Instead, he indirectly blamed his distribution company "Freeme Digital" for being responsible. Or in his own words (edited for readability);

"I don't know who did that. I just accessed my apple artist name I saw streams. I just wanted to get people to check me out nothing more," he wrote.

"Freeme Digital is the company that distributes all my songs. I'm just an upcoming artist and I know nothing about this. Please, I am not the one distributing Wizkid's album on apple music."

Deny and Delete

Soon after, the news was picked up by the Nigerian press while Wisekid removed his Twitter profile. Around the same time, the distribution company responded to the controversy, denying any involvement.

While Freeme Digital indeed worked with Wisekid, the company said that the 'Lasgidi Made' album was not distributed via their platform. The company also decided to cut its ties with the artist.

"We will be deleting the rest of Wisekid's content on our platform and we have informed our legal team to immediately commence investigation on the issue and prosecute the matter to the full extent of the law."

Removing Pirated music (and More)

Meanwhile, Wizkid's management said it was working hard to take down the illegal uploads across all digital platforms. The RIAA helped out as well, which brings us back to the takedown notice we spotted on Wednesday.

In addition to the RIAA, UK-based industry group BPI also sent a takedown notice identifying Wisekid's infringing upload. Sadly, this notice also flagged several news reports as copyright infringement, but that's a different rabbit hole.

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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