Tuesday, August 15, 2023

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Twitter/X Asks Court to Dismiss $250m+ Music Piracy Lawsuit
Ernesto Van der Sar, 15 Aug 11:57 AM

xUnder U.S. law, online service providers must respond to takedown notices and implement a meaningful policy to terminate the accounts of repeat infringers.

Many of the large social media platforms stick to these rules, but according to a lawsuit filed by several prominent music companies earlier this year, X is not among them.

'Breeding Mass Copyright Infringement'

In a complaint filed at a federal court in Nashville, Universal Music, Sony Music, EMI and others accused X Corp of "breeding" mass copyright infringement. The company allegedly fails to respond adequately to takedown notices and lacks a proper termination policy.

"Twitter fuels its business with countless infringing copies of musical compositions, violating Publishers' and others' exclusive rights under copyright law," the complaint alleged.

"While numerous Twitter competitors recognize the need for proper licenses and agreements for the use of musical compositions on their platforms, Twitter does not, and instead breeds massive copyright infringement that harms music creators."

The music companies say that while many online platforms have agreed to licensing deals, X has shown little interest in compensating musicians. This hasn't changed since Elon Musk took over.

Instead, Musk fanned the flames by describing the Digital Millennium Copyright Act (DMCA) as a "plague on humanity."

X Asks Court to Dismiss Lawsuit

A few hours ago X responded to these copyright infringement allegations in court. According to the company's lawyers, the music labels' complaint fails to state any proper claims and should therefore be dismissed.

The complaint argues that X is liable for direct infringement, and is contributorily and vicariously liable for the copyright-infringing activities of its users. However, X's attorneys, contest all three claims.

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For example, liability for direct copyright infringement requires non-automated and intentional acts by the defendant, while many of X's alleged wrongdoing related to passive and automated algorithms.

"The Complaint contains no allegations of active, intentional conduct by X, or any X employee, related to the allegedly infringing user posts—an omission that is fatal to the claim," the company writes.

X's alleged failure to properly respond to DMCA takedown notices could be seen as more active, but the defense notes that the music labels fail to show that X employees deliberately caused these infringements.

"[A]llegations that X delayed action or failed to take down specific infringing material are insufficient to plead direct infringement because there is no contention that X knowingly and deliberately caused the initial infringing act."

'Contributory Infringement'

The motion to dismiss goes on to refute the contributory copyright infringement claim. Musk's lawyers stress that X has substantial non–infringing uses and that plaintiffs, therefore, have to show that the service took active and intentional steps to encourage infringement.

The complaint fails to make these claims, the defense notes. On the contrary, X has implemented anti-infringement policies and practices, including a DMCA policy. While the music companies allege that X could do more, that's not sufficient to invoke liability.

"Although the Complaint paints X's anti-infringement efforts as inadequate, it does not allege that these efforts were meant to encourage infringement. Rather, Plaintiffs' position is that X can do more than it already does to prevent copyright infringement."

Similarly, the suggestion that X didn't license music, as other services have done, doesn't mean that its actions were infringing.

"Whether X sought music licenses for users or elected not to do so has no bearing on this inquiry; it is not evidence of an intent to encourage infringement," X's attorneys write

'Vicarious Infringement'

The final liability claim also lacks substance, according to X. To establish vicarious liability, the music companies must show that X has a direct financial interest in the infringement, and the right and ability to supervise the infringing conduct.

"Here, the Complaint fails to allege that X received a direct financial benefit from the alleged infringement of Plaintiffs' works. Nor could it.

"X is a service that offers a wide range of legitimate uses to subscribers; for example, the Plaintiffs in this case maintain their own X accounts that they use for promotional purposes."

The music companies showed in their complaint that advertisements were running next to infringing content. However, according to X, this doesn't mean that these advertisements were placed intentionally next to pirated content.

All in all, it's clear that both sides have an entirely different view of the case. The music companies have yet to respond to X's motion and, with many millions of dollars in damages at stake, they're likely to counter with full force.

A copy of Twitter/X's motion to dismiss the music company's complaint is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

Lux Vide Wins $1.86m Judgment Against Operator of File-Hosting Site EasyBytez
Andy Maxwell, 14 Aug 08:05 PM

lux-videFollowing its launch in 1992, Lux Vide established itself as one of the most successful TV production companies in Italy.

With Netflix, Amazon Prime and Sky deals under Lux Vide's belt, in March 2022 TV giant Fremantle (X Factor, Got Talent) acquired 70% of Lux Vide leading to recent investment and expansion.

Lux Vide has also recently emerged from an extended copyright lawsuit, one that predates the coronavirus pandemic.

Lux Vide Sues File-Hosting Platform Easybytez

In a complaint filed at a Michigan district court in August 2019, Lux Vide (Lux Vide Finanziaria Per Iniziative Audiovisive e Telematiche S.p.A.) targeted more than 20 'Doe' defendants accused of distributing 18 television series and movie titles online without permission. With the filing of a second amended complaint in February 2020, a clearer picture emerged.

Lux Vide targeted London-based Sven Hansche, the owner/director of Cyprus-based company Greatshaw Limited, in turn the owner of file-hosting platform Easybytez. According to the complaint, Lux Vide content was uploaded to Easybytez and each time users of the platform paid to access that content, the uploaders were paid an affiliate fee.

"Defendants provide third-party uploaders with a seemingly untraceable way to profit from the illegal distribution of pirated digital content, thereby incentivizing the continued piracy of Plaintiff's Works and other pirated content," the plaintiffs informed the court.

"As a result, Plaintiff has suffered substantial economic damage in the form of lost box office income, lost royalty income, lost advertising income, and other monetary damages stemming from Defendants' illegal distribution of its Works."

DMCA Takedown and 'Repeat Infringer' Failures

The complaint stated that after discovering Lux Vide content being made available on Easybytez, the company sent DMCA takedown notices to both the file-hosting platform and its hosting providers.

Easybytez reportedly complied with some (but not all) of the notices but then identical files "almost immediately" reappeared on new URLs and made available to the public. This allowed Easybytez to "continue to profit from the piracy of Plaintiff's Works behind a thin veil of DMCA compliance," Lux Vide informed the court.

In addition to claims of direct, contributory and vicarious infringement, for which it sought $150,000 per work infringed, the production company noted that Easybytez had failed to implement and enforce a repeat infringer policy as required under the DMCA.

Defendant Failed to Appear, Judgment for the Plaintiffs

Despite being served in September 2021, defendant Sven Hansche failed to appear. The court entered default against Hansche in September 2022 and in its motion for default judgment filed in March 2023, Lux Vide sought maximum statutory damages of $112,200,000. The court determined that the infringement was willful and statutory damages were appropriate, but not at the level demanded by the plaintiffs.

District Judge Robert J. Jonker found that the defendant displayed and distributed unauthorized copies of Lux Vide's works through Easybytez.com, financially benefitted at the expense of the plaintiff, and allowed content to reappear on the platform despite receiving DMCA notices.

The only thing absent was information showing to what extent the defendant profited and to what extent Lux Vide lost revenue.

Award for Damages

"Proof of economic loss is not essential to an award of statutory damages, but it is a relevant factor to consider in fixing the proper amount of damage. When no such economic record exists, this Court will look for other relevant or comparable awards," Judge Jonker notes in his order handed down last week.

Before arriving at a damages award, the Judge examined other cases considered relevant to the one in hand. They included a lawsuit filed against IPTV provider Nitro TV by member studios of the MPA, and a similar lawsuit filed against Area 51 and Altered Carbon.

As previously reported, the latter ended with a much lower award for damages than demanded by the plaintiffs. In the Lux Vide matter, Judge Jonker finds the same $2,500 per work to be applicable.

"An award of $2,500 per violation, resulting in an overall award of $1,870,000, is an appropriate balance of the relevant statutory factors on this record. It will generate meaningful deterrence, and it is consistent with other statutory damage awards in comparable cases," Judge Jonker concludes.

Lux Vide was represented by Chris Newberg of Kuiper Kraemer PC in Grand Rapids, Michigan. Newberg informs TorrentFreak that the matter is not over yet.

"We intend to pursue post-judgment remedies similar to those seen in the DaftSex case and we believe that Mr. Hansche's ring of infringing websites is considerably larger than just the EasyBytez brand," Lux Vide's attorney says.

The amended complaint, opinion and order, and default judgment are available here (1,2,3, pdf)

From: TF, for the latest news on copyright battles, piracy and more.

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