Wednesday, March 29, 2023

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China Shuts Down Major Manga Piracy Site Following Complaint From Japan
Andy Maxwell, 29 Mar 09:41 AM

b9good-sRightsholders and anti-piracy groups in Japan are committing considerable resources to their fight against online piracy.

While no targets are off limits, site owners who operate inside Japan present fewer challenges than those based overseas. A new report from anti-piracy group CODA indicates that with persistence and smart tactics, solutions can be found in difficult overseas regions.

Pirate Manga Site B9Good.com

Manga piracy site B9Good initially appeared in 2008 and established itself under B9DM branding. SimilarWeb stats show that the site was enjoying around 15 million visits each month, with CODA noting that in the two-year period leading to February 2023, the site was accessed more than 300 million times Around 95% of the site's visitors came from Japan.

B9Good had been featured in an MPA submission to the USTR's notorious markets report in 2019. Traffic was reported as almost 16 million visits per month back then, meaning that site visitor numbers remained stable for the next three years. The MPA said the site was possibly hosted in Canada, but domain records since then show a wider spread, including Hong Kong, China, United States, Bulgaria, and Japan.

Chinese Authorities Shut Down B9Good.com

Wherever the site ended up, the location of its operator was more important. In 2021, CODA launched its International Enforcement Project (CBEP), which aimed to personally identify the operators of pirate sites, including those behind B9Good who were eventually traced to China.

Pursuing copyright cases from outside China is reportedly difficult, but CODA had a plan. In January 2022, CODA's Beijing office was recognized as an NGO with legitimate standing to protect the rights of its member companies.

Working on behalf of Aniplex, TV Tokyo, Toei Animation, Toho, Japan Broadcasting Corporation (NHK), and Bandai Namco Film Works, CODA filed a criminal complaint in China, and starting February 14, 2023, local authorities began rounding up the B9Good team.

Four People Detained by Chinese Authorities

CODA reports that public security authorities in Jiangsu Province, China, detained a 33-year-old unemployed man living in Chongqing on February 14. He was held under suspicion of operating B9Good and later confessed to his involvement.

The man was held until March 19 before being released on bail. His house, reportedly worth around $580,000, was seized by the authorities.

From February 18 to March 21, Chinese authorities arrested three more people. A 30-year-old woman living in Chengdu, a 38-year-old man from Shanghai, and a 34-year-old woman from Fuzhou City were searched and questioned at their homes.

The women were allegedly paid by B9Good's operator to upload pirated content. The man is said to have uploaded pirated content to file-hosting platforms while earning revenue from advertising.

B9Good.com remained online until March 27. At the time of writing, it displays the following message in Chinese (English translation provided).

b9good-down

In common with many other pirate sites, B9Good also operated from several other domains, including b9dm.com and b9game.com. All currently show the same shutdown message.

Several B9Good copycat sites have been in operation for some time, including b9good.tv, b9good.net, b9good.one, and b9good.one. None seem linked to the original, and at least one seems to direct visitors to legal sources.

At least two new B9Good-branded domains with similar formatting appeared while the alleged operator of B9Good was still detained. Neither appears related to the original site

From: TF, for the latest news on copyright battles, piracy and more.

Sony Music Has Serious Concerns About AI-Synthesized Vocals
Ernesto Van der Sar, 28 Mar 11:24 PM

guettaArtificial intelligence has the potential to make our lives more efficient, entertaining, and productive. There are potential downsides as well.

From a copyright perspective, AI brings up some interesting questions. For example, can content created by an AI be copyrighted? And can an AI be trained on copyrighted works without limitation?

Before ChatGPT and other AI tools started to dominate the news, the music industry had already shared its concerns over the potential threats posed to its business. The RIAA, for example, reported several AI 'vocal' extraction tools as a looming piracy threat last October.

Since then, numerous experts have opined about the copyright challenges AI presents. As such, it is no surprise that the topic is also mentioned in IFPI's annual Global Music Report, which discusses the state of the global music industry.

A few years ago, online piracy and stream-ripping were featured as cannibalizing technologies, but those have now disappeared into the background. Instead, AI gets a prominent feature, with several music industry bosses commenting on the technology.

The Music Industry's Looming AI Threat

IFPI's report starts out by saying that AI isn't all doom and gloom. It also offers several opportunities for artists and the broader industry.

"Some, for example, support artist discovery, others enhance audience identification. Still others enable fans to engage with artists in new ways and some aid in the creative process," IFPI writes.

ai ifpi

The report stresses that when AI is used, the 'human' element should always remain from and center. At the same time, robust copyright rules and regulations must be respected.

The human element is also highlighted by Michael Nash, Chief Digital Officer at Universal Music Group. Nash believes that AI should not replace human artistry. And if an AI uses copyrighted content to create something new, the original rightsholders should get paid.

"[U]nless creators are respected and properly compensated when and if their works are used to train AI, then you're going to see the world's creative community potentially suffering a lot of damage in the evolution of generative AI.

"We need to work very hard to define new models so that we can enable generative AI without looking away from what is essentially going to be wholesale hijacking of the intellectual property of the entire creative community," Nash adds, mentioning this as a top priority.

AI-Synthesized Voice

This general sentiment is shared by Dennis Kooker, Sony Music's President of Global Digital Business. Kooker also sees potential in AI as a tool to work smarter and gain new insights, but not at the expense of copyrights.

Kooker is particularly concerned about AI tools that can mimic artists' voices, which have the potential to replace the human efforts of its top-grossing artists.

"In particular we have serious concerns about the potential for AI-synthesized voice technology to be used at scale to cover songs and attempt to replace artists. This is something that we need to watch very closely," Kooker notes.

This concern isn't conceptual, but ultimately boils down to revenue. Sony probably doesn't mind if artists train an AI on their own voice, but if an unauthorized third party does so without compensating the original artists, that becomes a problem.

While not mentioned, there's also an alternative 'Black Mirror' future where labels could handsomely profit from AI by replacing flesh-and-blood artists with AI. That's still a bridge too far, at least for the time being.

People Went Nuts

Music industry bosses are not the only ones keeping an eye on AI-generated vocals. These tools are already widely used. Most notably, DJ David Guetta played around with AI earlier this year, and used his homebrew "Eminem" lyrics in front of a live audience, who apparently "went nuts".

"I discovered those websites about AI. Basically, you can write lyrics in the style of any artics you like," Guetta explained.

"So I [wrote] a verse in the style of Eminem about Future Rave. And I went to another AI website that can recreate the voice. I put the text in that and played the record and people went nuts."

You can see Guetta's excitement about the potential of AI while he's retelling his experience. However, clearly, not everyone shares this enthusiasm. And it wouldn't surprise us if this was made clear to Guetta behind the scenes.

"Obviously I won't release this commercially," Guatta clarified in a follow-up tweet the next day.

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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