Tuesday, March 14, 2023

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High Court Bans Singer From Hitting YouTube Rival With DMCA Notices
Andy Maxwell, 14 Mar 12:06 PM

Sad YouTubeHaving developed a highly automated system that attempts to deal with huge and increasing instances of piracy, YouTube has shown it can handle copyright complaints on an unprecedented scale.

Whether the next stages of development will tackle widespread abuse of the takedown system remains to be seen but the High Court of Justice, via the Business and Property Court in Birmingham, UK, hopes to reduce the volume, if only by a little.

Two Can Play The Takedown Game

Those with both the time and the patience to read the judgment handed down last week in Moviebox Megastores International Ltd & Ors v Rahi & Ors will likely emerge from the other side with a) a headache and b) relief that relatively few copyright takedown abuse cases ever get near a courtroom.

The judgment references a trial related to three sets of proceedings that were consolidated by court order in 2021.

The Court's timeline of the dispute dates back to February 2017 when singer and claimed songwriter Mohammad Rahi emailed Kamraan Ahmed, a director of music publisher Moviebox Megastores International Limited. Rahi warned that if his music albums weren't removed from Moviebox's YouTube channel and from iTunes, legal action would follow.

When Ahmed refused to remove the albums, Rahi responded by setting up his own YouTube channel, populated with music he claimed to own. A month after that, in April 2017, Rahi filed copyright claims at iTunes for four of his albums published by Moviebox, and six published on iTunes by the second claimant in the case, Oriental Star Agencies Ltd. All complaints were rejected.

In May 2017, Moviebox used YouTube's Content ID system to take all revenue generated by Rahi in respect of four albums he'd uploaded to his newly-created YouTube channel. Two years later in October 2019, Rahi began filing applications at the Intellectual Property Office in Pakistan seeking copyright certificates for a number of songs, and a book in which several songs were written.

Game On: Laying the Foundations

The background to the dispute is an extraordinary maze of claims, counterclaims, and bitterness spread out over several years, during which documents were forensically examined and fingerprints subjected to professional scrutiny.

The Court's judgment, dated March 8, 2023, is concise yet still manages to weigh in at almost 54,000 words; our focus here will be on the YouTube takedown campaign and the subsequent fallout.

Rahi's albums were legally obtained by one company and then transferred to another; both companies operated under Moviebox branding. It was alleged that two of Rahi's co-defendants, Mr Qureshi and Ms Manzoor (both singers), entered into a scheme to transfer rights to hundreds of songs, including some already published on the Moviebox YouTube channel, for which Qureshi later filed copyright claims.

The two Moviebox companies (Moviebox hereinafter) and the other claimant, Oriental Star Agencies, alleged that Qureshi and Manzoor's actions were designed to fuel Rahi's malicious YouTube takedown campaign. Since neither defendant responded in court, both had default judgments entered against them.

That led the Court to conclude that Qureshi and Manzoor did indeed conspire or act together in a common design to unlawfully cause loss to Moviebox. The Court needed to determine whether Rahi was part of that conspiracy.

Dishonest Evidence, Falsified Documents, Copyright Strikes

The judgment describes Moviebox director Mr Ahmed as an honest witness. The Court found that Rahi was not. As per the judgment, the singer relied on falsified evidence, lied to YouTube, falsely claimed to have written lyrics he did not, and lied about his connections to the rights reassignment matter, among other things.

In February 2020, Oriental Star Agencies Ltd (the second claimant alongside the two Moviebox companies) uploaded 41 of Rahi's solo albums to iTunes. Rahi filed copyright complaints at iTunes but all were rejected. Two months later, Rahi filed objections with YouTube over the earlier Content ID claims against albums on his channel, and the revenue still being paid to Moviebox as a result.

In response, Moviebox filed copyright complaints against Rahi's channel to take the four albums down. For this, Rahi received copyright strikes. Rahi responded by filing DMCA counternotices and in June/July 2020, followed up with copyright claims against YouTube channels operated by Moviebox and Oriental Star.

Using a copyright certificate obtained earlier in Pakistan, in July 2020 Rahi started proceedings against Moviebox and Oriental Star at the Intellectual Property Tribunal in Lahore, claiming copyright ownership over songs published in a book.

Celebrating Suspensions

In September 2020, with copyright strikes accumulating, YouTube's repeat infringer policy kicked in and Moviebox had its channel suspended. According to the judgment, Rahi celebrated the suspension on his Facebook page the very next day.

"In a video posted on Mr Rahi's Facebook channel in which he, and his lawyer, Mr Zahoor appear, Mr Rahi says '…and those companies and that Mafia should keep this matter in their mind, who I have confronted, I am giving this message to them that you have established your companies to make money….. I talked to Sister Shazia Manzoor and she also told me that brother these people have done injustice to me..," the Court's account reads.

Meanwhile, Moviebox filed a claim against Rahi and obtained a "without notice injunction" requiring Mr Rahi to retract his strikes issued to YouTube. Less than two weeks later, Rahi agreed to comply.

Not Done Just Yet

Just three weeks after Rahi's undertaking, Qureshi started filing takedown notices against Moviebox's YouTube account and, in common with Rahi, began legal proceedings in Pakistan. Qureshi used the previously-mentioned reassignment of rights in hundreds of songs to a) support his YouTube claims and b) an application for an injunction against Moviebox and Oriental Star to prevent them from infringing his rights.

In November, Moviebox received another blow, this time from YouTube. Moviebox had sent DMCA counternotices to YouTube but since Qureshi had filed for an injunction against Moviebox in Pakistan, YouTube said it would disregard Moviebox's counternotices.

Meanwhile, YouTube was threatening to disable Oriental Star's YouTube channel. To counter that, Oriental Star obtained an injunction compelling Rahi to retract the complaints he sent to YouTube.

In December 2020, the two companies under Moviebox branding issued proceedings against Rahi, Manzoor, and Qureshi, obtaining an injunction against the latter pair. Three months later default judgments were issued against both, damages pending. The rights reassignment agreement was canceled.

Rahi's Actions Caused Loss to the Claimant

The judgment published last week states that Rahi caused loss to Moviebox "as a result at least of: (a) its main YouTube channel being de-activated by YouTube from 9 September 2020; and (b) YouTube preventing the First claimant from uploading new content to its other YouTube channels."

Rahi also caused loss to Oriental Star; YouTube required the removal of 12 videos from its channel and prevented the company from uploading new content. Rahi caused loss to both claimants via Qureshi and Manzoor's rights assignment scheme, the judgment adds.

Handing down permanent injunctions against Rahi in respect of three claims, the presiding judge elaborated as follows:

In simple terms, the reason why I consider this appropriate is that Mr Rahi has displayed a willingness, acting in his own name and through others to pursue a relentless and fraudulent campaign aimed at damaging the economic interests of [Moviebox and Oriental Star], either as an end in itself or as a means of forcing the Claimants to stop exploiting songs sung by Mr Rahi for their own commercial benefit, in order to leave Mr Rahi free to do so.

The Claimants are entitled, in my judgment, to the protection of a suitably worded injunction which may serve the dual purpose of: (a) dissuading Mr Rahi from issuing any strikes himself against the Claimants' YouTube channels or encouraging others to do so (and dissuading others from doing so at Mr Rahi's encouragement); and (b) enabling the Claimants to demonstrate to YouTube that there is in place an extant injunction that prohibits Mr Rahi from engaging in issuing strikes against the Claimants YouTube channels or encouraging others to do so.

The High Court of Justice/Business and Property Court judgment is available here but somewhat unsurprisingly, this dispute seems destined to run and run.

In January 2023, Rahi filed a copyright infringement complaint against Moviebox and several UK-based record labels. He alleges that the defendants falsely claimed ownership of his music and had no right to upload his songs to YouTube.

From: TF, for the latest news on copyright battles, piracy and more.

Nearly Every Person in Iraq is an Illegal Streaming Pirate, Sources Say
Ernesto Van der Sar, 13 Mar 10:36 PM

iraqPiracy is a global phenomenon but the availability of enforcement options varies from country to country.

In Iraq, for example, tackling copyright infringement isn't seen as a priority or a new phenomenon.

When U.S. troops were still stationed in Iraq, rightsholders discovered that American soldiers were picking up the local habit. As a result, "copyright notices" were sent to US bases and United States Central Command was put on high alert.

At the end of 2021, the U.S. combat mission in Iraq officially ended, so that's no longer an issue. Iraq still faces plenty of internal issues, of course, but fighting piracy doesn't appear to be high on the agenda. That's a concern for copyright holders.

Rightsholders Report Iraq to the USTR

Given Iraq's history, it is no surprise that the country has been repeatedly flagged by the U.S. Trade Representative. The USTR considers rightsholder input and other public signals when compiling its Special 301 Report, an annual list of countries that deserve extra attention due to intellectual property shortcomings that may hurt U.S. businesses.

The report doesn't lead directly to concrete action but is used as a leverage tool at the highest diplomatic levels to 'demand' change. As such, recommendations are taken very seriously.

Ideally, strong statements and claims from rightsholders should be backed up by solid evidence. That's not always needed for their positions to be cited in the USTR report but, more recently, the USTR has begun asking detailed follow-up questions. That has lead to some insightful results, also regarding Iraq.

90% Are Pirates?

Miramax and beIN, for example, stated in their submission that around 90% of the Iraqi population watches pirated live sports events and other media content. That's a remarkable figure that we have never seen in any official reports, and it also triggered the USTR to ask "how these estimates are formulated."

bein miramax

With roughly half of Iraq lacking a basic broadband connection, describing this section of society as online pirates is problematic. And since more than a third of all Iraqis are under 14, a considerable number of pirates must be rather young too.

Last week Miramax and beIN responded to the USTR's questions, explaining that the claims about Iraq and Algeria come from local contacts and partners, as well as their own extensive, independent knowledge.

"beIN has developed these estimates through discussions with contacts and commercial partners on the ground in both countries. These estimates are also informed by beIN's extensive, independent knowledge of piracy networks in Iraq and Algeria," Miramax and beIN write.

'No Surprise'

The companies further explain that the 90% Iraqi piracy rate "should not come as a surprise" as external researchers have described the region as a "piracy hotspot."

We examined the cited research and found that it doesn't mention Iraq or Algeria specifically. In general terms, it refers to North Africa and the Middle East as a piracy hotspot, without sharing any concrete statistics.

While we don't doubt that piracy is rampant in Iraq (and Algeria), there seems to be no hard data to back up the "90% of the population are pirates" claim. Without proper evidence, making such bold and strong claims in such an important recommendation could raise some eyebrows.

Lacking Enforcement/Evidence?

The USTR's follow-up questions for beIN, Miramax, and other rightsholders are mostly requests for further evidence, to back up the claims being made. Responses often cite third-party sources instead of concrete detail, however.

For example, beIN said that it 'understood' that it would be very difficult for rightsholders to convince a public prosecutor to launch a copyright case against pirates in Algeria. The USTR requested further information on specific difficulties but it appears beIN's comments are mostly based on input from its local counsel.

"beIN has not yet attempted to file a copyright infringement action (either civil or criminal) in Algeria. However, Algerian counsel has advised beIN that it would be extremely difficult for an audiovisual copyright holder to prevail in civil litigation against an infringer.

"According to Algerian counsel, it would be similarly difficult for an audiovisual copyright holder to convince an Algerian prosecutor to pursue criminal action," beIN's answer adds.

The same is true for the "lack of legal enforcement options in Iraq," as reported by beIN to the U.S. Government. This claim is mostly based on advice from third parties rather than first-hand experience.

"beIN has received professional advice that due to the endemic political corruption in Iraq, legal actions against key infringers are unlikely to succeed," beIN responded.

Corruption

beIN and Miramax do mention some names of 'pirate' services that allegedly have good connections with local government. This leads to corruption and the lack of enforcement options, including prosecutions.

"beIN understands that the owners and operators of Earthlink, Chaloos, and iStar (three major Iraqi media pirates) have significant influence among Iraqi government officials, both at the federal and regional levels.

"This helps explain the lack of criminal action to date in Iraq against any of these three pirates, despite their wide reach and notoriety," the broadcaster notes.

Similar claims were made last year. While this definitely sounds concerning and plausible, yet again the claims were based on reports from third-party sources rather than concrete evidence. At least, as far as we can see.

The question is whether the USTR feels comfortable repeating these allegations in its high-profile Special 301 report. Based on the questions asked, it appears that the Office would like to have more detail.

More Rightsholders, More Questions

In addition to the contributions from beIN and Miramax, the lack of concrete detail also comes up in other responses. For example, the Premier League also mentions the Shabakaty and Chaloos services, noting that local rightsholders reported them to the Iraqi Government.

The USTR asked the Premier League to provide more detail on these reporting efforts and how the government responded, but the football organization says it can't share any.

"As the Premier League has not itself been directly involved in attempts to pursue enforcement action against the services in question, we are unable to provide further specific details," the Premier League responded.

All in all, the above shows that several rightsholders' complaints concerning governments lacking copyright policies rely on reports from third-party sources. While these can be insightful, placing a country on the Special 301 Watchlist ideally requires some verifiable facts as well.

A copy of beIN and Miramax' answers to the USTR's follow-up questions is available here (pdf) and the Premier League's comments can be found here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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