Friday, October 21, 2022

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ISP Surprises Record Labels with 'Innocent Infringer' Witness at Piracy Trial
Ernesto Van der Sar, 20 Oct 08:44 PM

The "repeat infringer" issue remains a hot topic in US courts and over the years several ISPs have been sued because of them.

These Internet providers stand accused of not doing enough to stop copyright infringers on their networks, even after receiving multiple 'copyright infringement' notifications from rightsholders.

The most prominent outcome thus far is the guilty verdict against Cox from late 2019. Following a jury trial, the company was ordered to pay a billion dollars in damages to a group of major record labels.

Record Labels vs. Grande Trial

Following the verdict, several of the labels shifted their focus to the next targets, including ISP Grande Communications, which is now owned by Astound. A trial was initially scheduled to start in early 2020 but due to time constraints and the pandemic, it was postponed multiple times.

A few days ago, the jury trial finally began at a federal court in the Western District of Texas. In anticipation, both parties submitted motions to exclude several topics, with partial success. But with the trial now underway, disagreement remains an issue.

During the opening statements, Grande gave the jury a brief overview of its defense. This included a mention of a witness who had heard from several subscribers targeted by piracy accusations who said they had done nothing wrong.

"And you're going to learn that customers would call in confused about the accusations against them. You're going to hear from one of our witnesses who talked to one of those people directly, and he's going to say they swear they did nothing wrong. How is Grande supposed to know who is telling the truth? Is it Rightscorp with e-mail accusations? Is it the subscriber who calls in swearing they didn't do anything wrong?" – from Grande's opening statement

This intro came as a total surprise to the record labels, which were under the impression that responses from subscribers wouldn't be part of the defense. This wasn't just a hunch either, as the music companies previously asked Grande about the availability of this type of evidence during discovery.

No Innocent Infringer Evidence?

At a deposition, a Grande employee testified that there wasn't any admissible evidence about customer calls that covered the accuracy of copyright infringement notices.

"At that time, Grande's witness testified that admissible information concerning customer calls regarding copyright infringement does not exist," the music companies informed the court.

"In particular, Grande represented under oath that it performed an adequate investigation of its conversations with customers and based on that investigation, it lacked knowledge of—and therefore could not disclose to Plaintiffs—the contents of any particular customer phone calls on this subject matter."

The opening statement at trial suggests otherwise. It wasn't what the labels expected and they felt ambushed. As such, they asked the court to preclude the evidence from being discussed during the trial.

Aside from contradicting the information obtained during discovery, the testimony should also be rejected as hearsay, the labels said. The ISP apparently wants to rely on testimony from someone who spoke with an accused subscriber, without identifying the person or detailing the piracy notice.

"Furthermore, to the extent Grande seeks to introduce generalized testimony on this topic, it is clear that the proffer of unverified generic statements from unidentified customers is rank hearsay and does not satisfy the accuracy and trustworthiness requirements necessary to rely on any hearsay exceptions," the labels note.

Rightscorp and BMG vs. Cox

In addition to surprising the labels with the innocent infringer issue, during its opening statement Grande also criticized the infringement notices directly. The notices were sent by anti-piracy outfit Rightscorp and are not reliable, the ISP argued.

According to Grande's attorney, the music companies have "known for years and years" that Rightscorp's notices are problematic but consider them "lottery tickets" with the potential to bring in hundreds of millions of dollars.

At the present trial, the labels want to show that Rightscorp's evidence isn't illegitimate. The notices were central to the BMG vs. Cox trial, which resulted in a $25 million damages award. As such, evidence from that case could be relevant here.

The court previously restricted the potential use of that evidence to merely mentioning that Cox was found liable based on these notices. However, a new motion filed by the music companies requests permission to use emails and testimony that reference the case.

Grande fiercely objects and notes that the $25 million verdict wasn't the end of that case. The initial verdict was overturned, with BMG and Cox later reaching a confidential settlement.

"If Plaintiffs were to introduce evidence regarding the Cox jury verdict, then Grande would have to respond with evidence regarding the evidence adduced (or not) at trial in Cox, the Fourth Circuit's reversal, and the parties' subsequent settlement. All of this would result in the inevitable 'trial within a trial' that is to be avoided at all costs," Grande notes.

At the time of writing, there's no public court order on the record labels' requests. In any case, the trial will continue, with or without the "innocent infringer" and "Cox litigation" evidence.

A copy of the trial motions in limine to exclude the innocent infringer evidence and to introduce the BMG vs. Cox evidence are available here (1,2)

From: TF, for the latest news on copyright battles, piracy and more.

EC Declines to "End Live Piracy Now" But Offers 'Toolbox' to Fight Illegal Streams
Andy Maxwell, 20 Oct 01:05 PM

time running outRightsholders involved in the creation and distribution of live events say they are being undermined by massive online piracy. Illegal streams are immediately made available via websites and dedicated IPTV services on a scale that's impossible to contain.

Earlier this month, over 100 rightsholders, organizations, and powerful media groups coordinated to demand action from the European Union via new law that would enable live streams to be taken down within minutes of detection and subsequent notification.

Groups and companies, including the MPA, UEFA, Premier League, beIN, LaLiga, Serie A, Sky, and BT Sport, were supported by less obvious participants such as the State Federation of Associations of Theatre and Dance, Danish Ensembles, Orchestras and Opera Institutions, even the London Marathon.

All insisted that without the weight of new European law behind them, progress against piracy would be limited.

End Live Piracy Now? European Commission Says 'Not Yet'

The public 'End Live Piracy Now' campaign made headlines for a few days, but rightsholders had been putting pressure on the European Commission for some time.

Estimating annual revenue losses in their "billions" and the undermining of sustainability, they demanded commitment from the European Commission in the form of a legislative instrument, one that would guarantee the removal and/or blocking of live streams immediately following takedown notification.

"Any non-legislative instruments would be inadequate and insufficient to address the magnitude of the problem. Only a European wide regulation could provide an appropriate answer," the coalition said.

Commission Work Program 2023

Given that at least one draft had been indexed by Google and made available for download up to a week earlier, the contents of the final Commission Work Program 2023 published this week probably came as no surprise to rightsholders.

ec work program 2023

Recommendation on piracy of live content (non-legislative, Q2 2023, responds to Article 225 TFEU resolution P9_TA(2021)0236 'Challenges of sports events organisers in the digital environment')

Despite their calls for a legislative instrument, what rightsholders were given this week is a recommendation that is not legally binding. By their own definition, the response from the European Commission is both inadequate and insufficient.

Needless to say, the Live Content Coalition behind End Live Piracy Now is less than impressed, something made very clear in their public response.

Inadequate Solution Prompts Disappointment

The Live Content Coalition begins by welcoming the reference to their concerns in the Commission's 2023 work program, but notes that since only "firm and decisive" measures can protect live content, the EC's plan doesn't come up to scratch.

"Despite a clear and unambiguous call from 112 organizations from across the full breadth of the EU's cultural, creative and sports sectors, and from 107 Members of the European Parliament, the Commission has not included a legislative initiative to tackle live content piracy in its Work Programme for 2023," the statement reads.

"As the Live Content Coalition, representing the organizers and distributors of live events across Europe, we welcome the reference to our concerns, but we are disappointed that those legitimate concerns are addressed through an inadequate non-legally binding recommendation."

The details of how the rightsholders' demands could be laid out in law are unclear, but directing legislation at those actually carrying out the infringement isn't part of the plan. Instead of targeting pirates, the rightsholders want online intermediaries to shoulder the responsibility, most likely through the imposition of new liability for third-party content.

Instead, the Commission says it will follow up on the European Parliament resolution under article 225 of the Treaty on the Functioning of the European Union, by "offering a toolbox to fight the illegal streaming of live events, in particular sport events."

The Commission Work Program 2023 and response can be found here and here

From: TF, for the latest news on copyright battles, piracy and more.

 
 
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