Thursday, December 7, 2023

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Music Rights Group Sues Elon Musk's X for Copyright Infringement
Ernesto Van der Sar, 07 Dec 10:14 AM

x twitterSimilar to other user-generated content platforms, X allows people to freely share content online.

This includes text but images, videos, and music are regularly posted as well. In some cases, content is uploaded without first obtaining permission from rightsholders.

Over the years, various parties have called out Twitter/X over alleged copyright infringement. Research published by the EU Intellectual Property Office found that the service is rife with piracy-related discussions. U.S. lawmakers also suggested that piracy is part of the company's business model.

Music companies have repeatedly complained about X too. Their main gripe is that unlike many other online services, X refuses to license the content shared by its users. As a result, creators are not properly compensated.

Swiss music collective management outfit SUISA Digital is one of these complainants. The organization tried to raise the issue with X's parent company Twitter International for several months, but the service failed to respond.

SUISA Sues X Seeking Damages

This inaction was a major source of frustration for the music rights group which, as a last resort, decided to take the matter to court. That way, the social media platform would have to respond.

In a complaint filed at the District Court of Munich, Germany, SUISA now accuses X of widespread copyright infringement.

"A considerable number of works in SUISA Digital's repertoire is available on the X platform and is used by users without Twitter International having acquired a licence from SUISA Digital," the company explains.

To compensate for the alleged wrongdoing, the music rights group demands monetary compensation. The scale of the damages is unknown at this point as it depends on the infringing uses on X and the related revenue, which SUISA hopes to establish in court.

"Through its lawsuit, SUISA Digital seeks to ensure the authors and publishers it represents are adequately compensated for the ongoing, illegal use of their creative work," the music group writes.

"That is why, among other things, SUISA Digital demands that Twitter International fully disclose its figures relating to its uses and to the turnover realized with its music offers on the platform X."

U.S. Mass Copyright Infringement Lawsuit

The German lawsuit isn't the first music lawsuit faced by X. In the United States, Universal Music, Sony Music, EMI, and others filed a complaint against the company a few months ago, accusing it of "breeding" mass copyright infringement.

According to the American music labels, X fails to properly respond to takedown notices and lacks a proper termination policy for repeat infringers. As a result, the platform is rife with music piracy.

With hundreds of millions of dollars in damages at stake, X is fiercely defending itself. In the U.S. case, it previously asked the court to dismiss all copyright infringement allegations. The court has yet to rule on this request.

These lawsuits make clear that the music industry has lost patience with X. Through they courts, they hope to motivate the company to change but whether it will, largely depends on the outcome of these legal battles.

From: TF, for the latest news on copyright battles, piracy and more.

Pirate IPTV Operation Dismantled, 9 Arrested, 43 Customers Investigated
Andy Maxwell, 06 Dec 09:29 PM

greece cybercrimeWith few signs that public appetite for cheap but illegal streaming services will subside anytime soon, law enforcement agencies all over Europe are working to disrupt suppliers wherever they can.

The Directorate for the Prosecution of Electronic Crime in Athens, Greece, is reporting an apparently successful operation against an organization that until recently serviced customers in five regions of the country. A series of raids last Friday are said to have "dismantled" the group, details of which are now emerging.

Nine 'Key members' Arrested

The Directorate for the Prosecution of Electronic Crime says a coordinated operation carried out last Friday targeted a "criminal operation" whose members were "systematically active in the illegal retransmission of subscription television services." In the areas of Attica, Ilia, Thessaloniki, Kozani and Crete, nine alleged key members of the group were arrested, with another three key members reportedly still on file.

Together they face charges relating to the formation, management, and membership of a criminal organization, violations of intellectual property law, offenses relating to subscription services, and weapons offenses after pepper spray and a knife were confiscated by police.

IPTV Seized Greece

Other items seized during the raids include 52,915 euros in cash, 41 'online receivers' (nature unspecified), 24 mobile phones, 46 bank cards, 22 hard disks, 11 computers, 6 SIM cards, 5 tablet devices, 3 USB flash drives, customer lists, and a wireless router.

The Organization's Structure

Information provided by the Directorate indicates that two key members of the group were responsible for maintaining the network infrastructure from where illicit TV streams were retransmitted to subscribers of the service.

Other core members of the group acted as resellers to their own sets of customers, who purchased pre-configured set-top boxes using various mechanisms including cash, bank transfers, online money transfers, and cryptocurrency transactions.

Police say the resellers were able to check the status of each customer to determine if they had "fulfilled their financial obligations, if their subscription period had expired, as well as activate or deactivate the connection of each user."

An example IPTV panel (no connection to current case)xtream-panel

Known in IPTV circles as a 'reseller panel' this a type of software that allows resellers to manage their own customers via an online interface. In return for effectively becoming an IPTV provider's sales and customer support agent, the business is structured so that resellers are able to make a profit on each 'credit' (usually a month's subscription) bought and sold. In this case, police say the resellers received a 40% cut.

How Much Was Made?

When the authorities announce seizures of drugs or counterfeit goods, early value estimates are often calculated using methods more likely to have a bigger impact in the media.

Drug hauls, for example, aren't valued using the 'wholesale' price available for 100kgs, but at the rate they would've been sold at for the smallest possible quantity at 'retail', commonly known as street value. Counterfeit watches purchased for a few dollars each at 'retail' and worth much less in bulk, are reported at the price a jeweler charges for an original timepiece.

With the above in mind, trying to decipher figures provided by the authorities following IPTV busts is rarely straightforward. In this case, however, Greek police take a different approach.

Financial Benefit to Subscribers

By taking the estimated number of subscribers to the service (2,000 minimum) and calculating the 'financial benefit' they obtained (presumably by buying a pirate subscription over an official package), the police arrive at a financial benefit for subscribers valued at 420,000 euros.

IPTV Value

This suggests that each customer avoided paying/financially benefited to the tune of 210 euros each. The loss to the subscription TV companies, meanwhile, is measured at 2,240,000 euros, over five times the amount saved by the subscribers and equivalent to 1,120 euros in losses for every single one.

Taking that at face value, the difference is significant and may be important for more than 40 people reported by the police for watching illegal streams.

"The case file also includes 43 customers of the organization, for illegal viewing of subscription services," police report.

From: TF, for the latest news on copyright battles, piracy and more.

EU Mulls Expansion of Geo-Blocking 'Bans' to Video Streaming Platforms
Ernesto Van der Sar, 06 Dec 01:46 PM

old tvConsumers who want to watch movies or TV-shows online are limited to the content that they are permitted to see in their home country.

This means that the Netflix or Amazon library in one country can be entirely different to those made available in a neighboring nation.

This is a direct result of the territorial licensing deals the entertainment industry is built on. However, now that people are more connected online, these restrictions are an increasing source of frustration. That frustration can, in turn, fuel piracy.

Many PlayStation users were reminded of these licensing complications a few days ago when they were informed that several purchased movie titles will disappear from their libraries. While that's a unique situation, it's quite common to see movie and TV show titles removed from subscription platforms.

No law can force these platforms to offer content indefinitely but according to European lawmakers, it is possible to level the playing field and remove unnecessary barriers.

EU's Geo-Blocking Restrictions

To counter consumer-unfriendly limitations, the European Commission previously banned certain types of geo-blocking as part of the Digital Single Market reforms. This legislation has been in place for a few years and works well, although video content is currently exempt.

There are ongoing discussions in the EU that could upend this. Current plans don't call for an end to regional licenses or the adoption of a general EU-wide license, but they do stress that catalog and heritage content should be available in "unsold" territories. Specifically, citizens shouldn't be discriminated against based on where they live.

The European Parliament's Committee on Internal Market and Consumer Protection (IMCO) recently put out a report (pdf) in which it sets out several suggestions and recommendations. They include a lifting of the geo-blocking ban exemption for the audiovisual sector.

Expanding to Video Platforms?

The report recommends the EU Commission to launch a comprehensive review of the current geo-blocking regulation and have that completed by 2025. It also carries several suggestions for improvement and expansion of the current rules.

"The data presented in the report suggest that the effects of such an [geo-blocking] extension would vary by type of content, depending on the level of consumer demand and on the availability of content across the EU," the report's summary reads.

"As regards an extension to audio-visual content, it highlights potential benefits for consumers, notably in the availability of a wider choice of content across borders. The report also identifies the potential impact that such an extension of the scope would have on the overall dynamics of the audio-visual sector, but concludes that it needs to be further assessed."

The proposals don't include the abolishment of all territorial licenses in the EU, and they're mindful of the potential impact on the industry. Nevertheless, some industry insiders are spooked; the Creativity Works! coalition (CW), for example, which counts the MPA, ACT, and the Premier League among its members.

'Geo-Blocking Restrictions Threaten Video Industry'

According to CW, geo-blocking technology is crucial to the creative and cultural industries in Europe.

"Geo-blocking is one of the foundations for Europe's creative and cultural sectors, providing Europeans with the means to create, produce, showcase, publish, distribute and finance diverse, high-quality and affordable content," they write.

geoblock foundation

Banning geo-blocking altogether would be a disaster that puts millions of jobs and hundreds of billions of euros in revenue at risk, CW warns. At the same time, it may result in more expensive subscriptions for many consumers.

"Ending geo-blocking's exclusive territorial licensing would threaten 10,000 European cinemas, access to over 8,500 European VOD films and up to half of European film budgets," CW writes.

"What's more, over 100 million European fans could pay more to view the same sports coverage, while major digital streaming platforms might be forced to introduce sharp hikes for consumers in many European countries."

Upsetting The Status Quo

Understandably, the movie industry is concerned about legislation that upsets the status quo. However, the IMCO report doesn't recommend a wholesale ban on territorial licenses but aims to ensure that content is available in regions where it currently isn't.

At this stage, nothing is set in stone, so proposals could change. However, the present recommendations appear to seek a balance between the interests of the entertainment industry and the public at large.

Digital rights organization Communia supports the proposals, which it in part helped to shape. The group is concerned about CW's suggestion that restricting access to content is the "foundation for Europe's creative and cultural sectors" and hopes that lawmakers will carefully weigh all arguments.

Communia says the report makes it clear that the entertainment industries can do more to serve customers across all regions. This is a conclusion rightsholders are not happy with, the group notes.

"[O]ne of the core insights of the IMCO report, that as a consequence, the adaptation of existing business models to the changing environment is needed both for consumers and businesses is once again at the risk of being ignored.

"Rightholders are seeking to get this conclusion removed from the report because the stakeholders on the supply side of the AV sector have again decided that rather than adapting to and working with consumer expectations, they can rely on their considerable lobby power to preserve the status quo that they have gotten comfortable with."

Communia believes, however, that there are plenty of options to improve the situation for the general public, without destroying the entertainment industries.

"If done well, ending geo-blocking would provide all Europeans with more legal access to a more diverse offering of AV content and a thriving cultural sector that can finally stop claiming that denying people access to culture is in anyone's interest," the group concludes.

From: TF, for the latest news on copyright battles, piracy and more.

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