Monday, September 4, 2023

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TV Museum Will Die in 48 Hours Unless Sony Retracts YouTube Copyright Strikes
Andy Maxwell, 04 Sep 11:02 AM

fuzzymemoriesThe advent of the internet and its subsequent development in the mainstream have given rise to a perpetual, collaborative, global recording machine that would've been unimaginable 40+ years ago.

Back then, videotape recording machines were cutting edge and a type developed by Sony was fighting for its life. Since Sony's Betamax-format recorders were able to record TV shows, studios including Universal and Disney sought to hold Sony liable for users' alleged copyright infringements. In 1984 the Supreme Court ultimately sided with Sony but had the decision gone the other way, the chilling effect on the video market would've been incalculable.

The Museum of Classic Chicago Television

Through the prism of history, The Museum of Classic Chicago Television owes much to Sony's win in the Betamax case; quite possibly its very existence. Like many labors of love, its beginnings were humble.

After finding a 1983 episode of "The Bozo Show" on an old videocassette, Rick Klein – today the museum's president and lead curator – spotted himself and his brother in the audience. The trip down memory lane, punctuated by shifts in production values, fashions and commercial breaks, had him hooked.

"I was just blown away by seeing stuff I had forgotten," Klein recalled in a 2021 interview. "That's one of the things that becomes so addictive. You see something and remember. It's just like a key going into a lock."

Now close to reaching his own half century, Klein, and a number of like-minded individuals, still haven't shaken the nostalgia bug, especially for old TV content shown locally in Chicago. In 2007, their growing collection of analog commercials, TV clips and other TV memorabilia, ventured into the all-digital online world. Tapes would stretch and snap no more but here, entire collections could be wiped out in an instant.

A New Beginning, New Life, New Dangers

After being reborn on YouTube as The Museum of Classic Chicago Television (MCCTv), the last sixteen years have been quite a ride. Over 80 million views later, MCCTv is a much-loved 501(c)(3) non-profit Illinois corporation but in just 48 hours, may simply cease to exist.

In a series of emails starting Friday and continuing over the weekend, Klein began by explaining his team's predicament, one that TorrentFreak has heard time and again over the past few years. Acting on behalf of a copyright owner, in this case Sony, India-based anti-piracy company Markscan hit the MCCTv channel with a flurry of copyright claims. If these cannot be resolved, the entire project may disappear.

Time Running Out

Issuing copyright notices is core work for many anti-piracy companies. The problem for Klein and many others before him is that while YouTube suggests that disputes can be discussed with Markscan, an abundance of online reports beg to differ.

No matter whether takedowns are justified, unjustified (Markscan hit Sony's own website with a DMCA takedown recently), or simply disputed, getting Markscan's attention is a lottery at best, impossible at worst. In MCCTv's short experience, nothing has changed.

"Our YouTube channel with 150k subscribers is in danger of being terminated by September 6th if I don't find a way to resolve these copyright claims that Markscan made," Klein told TorrentFreak on Friday.

"At this point, I don't even care if they were issued under authorization by Sony or not – I just need to reach a live human being to try to resolve this without copyright strikes. I am willing to remove the material manually to get the strikes reversed."

Complaints Targeted TV Shows 40 to 60 years old

Over the weekend Klein shared details of the copyright complaints filed with YouTube. Two of the claims can be seen in the image below and on first view, appear straightforward enough.

Two episodes of the TV series Bewitched dated 1964 aired on ABC Network and almost sixty years later, archive copies of those transmissions were removed from YouTube for violating Sony copyrights, with MCCTv receiving a strike.

bewitched-dmca

A claim targeting an upload titled Bewitched – 'Twitch or Treat' – WPWR Channel 60 (Complete Broadcast, 8/6/1984) follows the same pattern, but what isn't shown are the details added by MCCTv to place the episode (and the included commercials) in historical context.

(S0307, originally aired over the ABC Network, and therefore in Chicago via then-WBKB Channel 7, on October 27th 1966) as seen via a slightly worn copy on WPWR Channel 60. This episode featured legendary San Francisco Giants center fielder Willie Mays, a.k.a. 'The Say Hey Kid,' as himself.

Includes: Station ID (voiceover by Neal Sabin)
Show opening titles (1966 copyright – this was Bewitched's first season in color)
Commercial: Crispy Wheats 'n Raisins
Episode Act I
Commercials for: DeVry Institute of Technology

Another takedown target – Bewitched – 'Sam in the Moon' (Complete 16mm Network Print, 1/5/1967) is accompanied by even more detail, including references in the episode to then-current events.

In this installment, Samantha and Endora have traveled to Tokyo, and when Darrin asks where they'd been, Sam tells him shed been to the moon – and Darrin believes her.

(Historical Note related to the moonshot race: This was broadcast 22 days prior to the fire on board Apollo 1 that killed astronauts Gus Grissom, Edward White and Roger Chaffee)

Given that copyright law locks content down for decades, Klein understands that can sometimes cause issues, although 16 years on YouTube suggests that the overwhelming majority of rightsholders don't consider his channel a threat. If they did, the option to monetize the recordings can be an option.

No Competition For Commercial Offers

Why most rightsholders have left MCCTv alone is hard to say; perhaps some see the historical value of the channel, maybe others don't know it exists. At least in part, Klein believes the low quality of the videos could be significant.

"These were relatively low picture quality broadcast examples from various channels from various years at least 30-40 years ago, with the original commercial breaks intact. Also mixed in with these were examples of '16mm network prints' which are surviving original film prints that were sent out to TV stations back in the day from when the show originally aired. In many cases they include original sponsorship notices, original network commercials, 'In Color' notices, etc.," he explains.

These oddities, none of which would ever find their way into a commercial product, are historically significant; where else can viewers soak up the past while relieving soaking their face with the Clairol Skin Machine?

Unavailable elsewhere, these moments transform old TV broadcasts into entertaining history lessons, and Klein says that's what people love about the channel.

"Watching vintage broadcasts or network film prints with commercials is the closest we can get to time-travelling through a TV or computer screen. Here is an actual recording, made in real time, at a specific moment in time, in a particular city, in the past – and you get to peek in through your time portal. That's the appeal," he says.

An Opportunity to Put Things Right

Klein says MCCTv certainly doesn't set out to hurt copyright holders. However, there's always a balance between preserving "rare pieces of video ephemera" and the likelihood that nobody needs to enforce any rights, versus unusual circumstances like these where unexpected complaints need to be resolved with impossible-to-reach parties.

Klein says the team is happy to comply with Sony's wishes and they hope that given a little leeway, the project won't be consigned to history. Perhaps Sony will recall the importance of time-shifting while understanding that time itself is running out for The Museum of Classic Chicago Television.

From: TF, for the latest news on copyright battles, piracy and more.

Top 10 Most Pirated Movies of The Week – 09/04/2023
Ernesto Van der Sar, 04 Sep 01:09 AM

indiana jonesThe data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only.

These torrent download statistics are only meant to provide further insight into the piracy trends. All data are gathered from public resources.

This week we have four newcomers on the list. "Indiana Jones and the Dial of Destiny" is the most downloaded title.

The most torrented movies for the week ending on September 04 are:

Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrent sites
1 (…) Indiana Jones and the Dial of Destiny 6.7 / trailer
2 (1) Meg 2: The Trench 5.3 / trailer
3 (…) The Last Voyage of the Demeter 6.2 / trailer
4 (3) Spider-Man: Across the Spider-Verse 8.8 / trailer
5 (…) Teenage Mutant Ninja Turtles: Mutant Mayhem 7.4 / trailer
6 (…) The Boogeyman 6.0 / trailer
7 (2) The Flash 7.0 / trailer
8 (4) Guardians of the Galaxy Vol. 3 8.2 / trailer
9 (5) Elemental 7.0 / trailer
10 (7) No Hard Feelings 6.6 / trailer

Note: We also publish an updating archive of all the list of weekly most torrented movies lists.

From: TF, for the latest news on copyright battles, piracy and more.

Google Preemptively Banned Hundreds of Millions of 'Pirate' URLs Last Year
Ernesto Van der Sar, 03 Sep 08:12 PM

google pirateUnder the current DMCA legislation, US-based Internet services are expected to remove infringing links, if a copyright holder complains.

This process shields these services from direct liability. In recent years there has been a lot of discussion about the effectiveness of the system but it remains standard practice.

Google has always maintained that the DMCA works well. However, faced with critique from rightsholders, the company has taken a variety of extra anti-piracy measures across numerous services while pointing out that copyright holders have a key role to play.

Google's View on Piracy

A few days ago, Google reiterated this stance. In a response to the US Patent and Trademark Office's (USPTO) inquiry about future anti-piracy strategies and policies, Google stresses that the availability of legal content is key.

"For over two decades, we have observed that unmet consumer demand is a key driver of piracy. If demand is unmet by legitimate supply, users will seek pirated content. That is why one of the best ways to combat piracy is to provide better, more convenient, and legitimate alternatives," Google writes.

With YouTube Music and YouTube TV, Google helps out on the supply side. At the same time, the company also tweaked its search engine to steer people away from piracy.

Like all other online service providers, Google processes DMCA takedown notices. When copyright holders find a link to pirated content in Google's results they can report the URL, asking for it to be removed. This happened seven billion times over the past decade.

Preemptive Takedowns

This doesn't mean that Google actually removed that many URLs from its search index. As reported before, Google also supports 'preemptive' takedowns, which means that it will block reported URLs before they are indexed by the search engine.

These preemptive takedowns ensure that rightsholders can report content before Google picks it up. This isn't required by the DMCA, but rightsholders use this feature en masse.

In the USPTO letter Google reveals that in 2022, more than 40% of the takedowns submitted via the web form were for content that hadn't yet been indexed.

"Search accepts notices for web pages that are not even in our index at the time of submission. Nevertheless, we will proactively block such web pages from appearing in our Search results and will apply these notices to our demotion signal.

"In 2022, more than 40% of the over 680 million URLs we received via our web form were not in our Search index and therefore, have never appeared in our Search results," the letter reads.

Pre-Piracy Removals

This percentage, which isn't reported in Google's transparency report, shows that 'preemptive' takedowns are quite popular. Interestingly, the search engine goes a step further, as it also accepts takedown notices for piracy that hasn't happened yet.

For popular live-streaming broadcasts, such as the Super Bowl, UFC events, and World Cup football matches, pirates often generate websites in advance to announce their unauthorized streams. Copyright holders can now take these offline before a stream starts.

"Rightsholders are able to pre-notify us of web pages that advertise they will illegally stream a live event in the future," Google writes.

pre-notify google

Demoting Pirate Sites

All the copyrighted URLs that rightsholders report are added to a scorecard. Sites that are often targeted are actively demoted in search results, making these less visible to the public at large. According to Google, this works well.

"Our experience shows that demoted sites lose an average of 89% of their clicks from Search. In addition to these efforts, we have made it much harder for sites to evade demotion by redirecting people to a new domain," Google writes.

The full letter also includes other steps that the company has taken to address piracy. While not explicitly mentioned, Google appears pleased with how things are right now and doesn't have any concrete anti-piracy proposals for the future.

That said, Google stresses that it is committed to investing in new tools and processes to combat the ever-evolving piracy challenge.

A copy of Google's full letter to the US Patent and Trademark Office is available here (pdf)

From: TF, for the latest news on copyright battles, piracy and more.

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