Tuesday, July 25, 2023

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Piracy Law "Will Wipe Out" ISPs as Fans Vent Fury Over DAZN Hikes Prices
Andy Maxwell, 25 Jul 12:07 PM

Pirate FireFrench football club Paris Saint-Germain holds the record for purchasing the two most expensive players in the world; Neymar for €222 million and Kylian Mbappe for €145 million.

In 2022, PSG reported losses of €368 million, with reports suggesting that Mbappe's contract will end up costing the club around €630 million euros.

Barcelona, one of Spain's most iconic clubs, has an average match crowd of more than 83,000 fans, but is also €1.35 billion in the red. Manchester United is almost a billion pounds in debt, and according to a recent report, the majority of all clubs in the UK are "hugely loss-making."

Italy Goes Hard on Pirates

Italian clubs also have debt problems; Inter Milan (€390m), Roma (€271m) and Juventus (€223m), for example. Top-tier Italian football clubs, broadcasters, and the government together concluded that since piracy must be mostly to blame, nothing should be off-limits in their quest to stamp it out.

Earlier this month, the Italian parliament gave the green light to new legislation that authorizes telecoms watchdog AGCOM to issue legally binding orders to the country's ISPs. On receipt of an order and without delay, ISPs must take technical measures to block piracy-facilitating internet infrastructure.

Concerns that the entire internet industry would be required by law to stand by to protect the business interests of multi-billion euro corporations were mostly drowned out; urgency to get the law passed by parliament was the priority. Even when ISPs described the blocking program as a "mega firewall" scant attention was paid to the risks.

ISP Association Vows to Fight For Its Sector

After the law was passed earlier this month, official documents revealed that meetings to finalize exactly how unprecedented blocking would be achieved from a technical standpoint were yet to take place, and the "single technical platform" underpinning nationwide blocking in Italy was yet to be built.

Gian Battista Frontera is the president of the Association of Independent Providers (Assoprovider), a trade association that represents the interests of more than 200 small to medium-sized companies operating in the internet and telecoms sector. Frontera says that despite repeated warnings and requests to consider the concerns of its members, many of whom operate in remote, low-population, and disadvantaged areas, the government failed to listen.

"At risk are more than 2,000 companies and more than 10,000 highly specialized workers who have been providing services for decades in the most peripheral areas of the country, in inland and mountainous areas, those considered to be market failures where large companies are not present, playing a precious and irreplaceable role with their own financial resources in bridging the serious scourge of the digital divide," Frontera wrote recently, hoping to avert a potential "disaster".

The new law was ultimately approved by both houses of parliament, but Frontera says that it won't be effective in the fight against piracy but will instead undermine Assoprovider's members.

"[The law] obliges providers, at their own expense, to intervene promptly by disabling access to illicit content," Frontera informs Corcom

"These obligations imposed on providers will force companies, which have an average of three to four employees and a turnover that barely reaches 500,000 euros, to hire at least four other people to guarantee a 24-hour control service, including Saturdays, Sundays and holidays.

According to Assoprovider estimates, the costs of complying with the rapid blocking requirements of the law could reach 200,000 to 300,000 euros per year, an amount that will push many smaller companies into bankruptcy. Larger players will have the resources to cope, Frontera suggests; they also have a vested interest.

"In addition to not being effective, this law still favors large multinationals, many of which have direct interests in the streaming sector, to the detriment of small and medium-sized enterprises," he notes.

DAZN Angers Fans With Price Hikes

While the new law in Italy will protect all 'live' content, it was crafted to support broadcasters and football clubs in Serie A, Italy's top league. Based on the assumption it will drive football fans away from pirate set-top boxes (known locally as "pezzotto") and towards companies like DAZN, subscription uptake should be considerable.

Yet to a background of service failures and broadcasters offering much less for Serie A broadcasting rights, DAZN has just announced considerable subscription price rises in Italy. The country's passionate football fans are less than happy (translated).

dazn-increase

Over the past several days, DAZN has been the subject of relentless criticism on social media. The price increases are obviously unpopular since they widen the gap between pirate and legal subscriptions when people feel the opposite is required.

"After the new law on #piracyonline, #Dazn triples the costs of subscriptions, 55 euros per month for a poor service full of problems. If you wanted to wage war against #pezzotto you are on the wrong track, now doing so will become a necessity," one comment reads.

"Dear #DAZN, you increase the prices and I'll subscribe to the #pezzotto . A month's subscription to Dazn costs the same as a year of pezzotto. Adios," adds another. Others are even more blunt.

twitter-dazn1

The 'coincidence' between the new law being passed and prices going up is a popular angle of discussion, but there are plenty of others too, including DAZN's website crashing when people tried to change their package online.

Overall though, many people feel that being a football fan is now more of a financial commitment than a pastime, one increasingly for the rich over the regular guy in the street.

The problem for Italy is that the popularity of the "pezzotto" will be difficult to repress, especially when events like those of the last few days end up generating interest in piracy, contrary to the goals of the new law.

pezzotto Italy

From: TF, for the latest news on copyright battles, piracy and more.

Pirates Visited Animedao 17m Times Last Month; They Will Visit No More
Andy Maxwell, 24 Jul 08:59 PM

animedaoIt's no secret that the majority of mainstream movies appear on pirate sites soon after their release. In that respect, not much has changed since the early 2000s. Pirate site aesthetics, on the other hand, have undergone a transformation.

Today's pirate movie and TV show sites are considerably more polished, often carrying official poster images and metadata to give that Netflix-style feel. Pirate sites offering Japanese cartoons (anime) often look so good they could easily pass for legitimate platforms.

These glossy sites receive hundreds of millions of visits every month from extraordinarily enthusiastic fans who happily soak up every available detail but mostly pay nothing for the privilege.

Japanese rightsholders are making progress against anime piracy, even in challenging overseas territories such as Brazil. But having spotted the pots of gold at the end of the anime rainbow, companies like Disney also have content to protect. With decades of experience doing just that, there's little doubt that the pressure is building.

DMCA Subpoenas, Visit to Vietnam

During the last week of June, high-level executives from the Motion Picture Association visited Vietnam, a hotbed of some of the most polished and popular pirate sites to ever exist. The visit coincided with the takedown of Vietnam-based 2Embed, a site that supplied hundreds of other sites with video content.

Authorities in Vietnam welcomed enhanced cooperation with ACE to tackle other pirate sites moving forward, but a visit to court in the United States and a routine application for a DMCA subpoena against Cloudflare was also delivering results.

Animedao, one of the targeted sitesanimedao-to-ss

In the wake of our initial report on the subpoena early July, one of the targeted sites 'Anime Kaizoku' indicated it had thrown in the towel. Now a considerably larger platform claims to have done the same.

Animedao.to Announces Shutdown

Recent data published by SimilarWeb indicate that AnimeDao received over 54 million visits in three recent months. In April, the pirate anime site welcomed around 19.1 million visitors, and in May, around 18.1 million.

June's figures were lower at 16.9 million visits, but with the majority of visitors arriving from the United States, it was inevitable that anti-piracy group ACE would eventually take action.

animedao-traffic

The DMCA subpoena provided fairly clear evidence that the site was under some type of investigation but what lies ahead after more recent developments is unclear.

As the image below shows, AnimeDao has now decided that for financial, technical, and legal reasons, its days of servicing millions of visitors each month are over.

animedao-dead

The comment about content no longer being available without popup ads is interesting. While situations vary, it may suggest that at least some content arrives as a package and is intended to be consumed in a particular way, i.e. while being monetized.

The statement about CORS relates to cross-origin resource sharing, a browser mechanism that controls access to resources located outside of a given domain. This suggests that content that may otherwise have been accessible from other platforms is being restricted.

The final comment about 'being targeted' is self-explanatory but how that will play out, especially given recent events, is open for debate.

Problematic Resurrections

Following MPA/ACE's visit to Vietnam, Zoro.to – until recently the world's most popular pirate site – suddenly shut itself down and handed its domains over to the MPA.

Had that been the end of the matter, Hollywood would've probably mentioned it via a press release. What actually happened is that within hours of Zoro.to's closure, it reemerged under a new domain (aniwatch.to) with all-new branding.

That could suggest that if any agreement was in place with the operator of Zoro, it might not have taken the form of a cast-iron legal contract usually associated with ACE activity. Whether that indicates one of the parties not taking things particularly seriously is open to speculation but the recent reemergence of former fan-favorite Aniwatch.me (not to be confused with Aniwatch.to) may be a sign of things going in the wrong direction.

Then finally, there was the demise of Anime Kaizoku, a much smaller site, but a significant closure nonetheless. After disappearing online in response to ACE pressure, a few days ago the animekaizoku.com domain suddenly found new life and now redirects to another anime site called Simkl.com, which is now scooping up all of the shuttered site's traffic.

simkl-com-1

Only time will tell how this difficult anime landscape will change over the next few months, but it seems unlikely it will be allowed to continue in the manner it does today. The anime piracy scene seems to be extremely well organized, with both centralized and somewhat sophisticated independent systems ensuring that content reaches the widest possible audience via any number of supplied sites.

That raises interesting questions concerning the diversity of original (pirated) content sources and how that might affect the stability of the anime piracy ecosystem.

Relatively few sites offer large volumes of anime content that they both host and control, perhaps fewer than 10 and maybe less than that. One of those sites, GogoAnime, is relied upon by dozens of sites for their content so they may be especially vulnerable to being substantially wiped out overnight.

One domain that won't be offering anime content anytime soon is BUNNYCDNN.RU. It was previously known for its connections with high-traffic anime platforms but today, after being transferred to a new owner, is now notable for being under the control of MPA/ACE.

From: TF, for the latest news on copyright battles, piracy and more.

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